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The Inspired Vengeance of Mythic Icelandic Women

The Inspired Vengeance of Mythic Icelandic Women

Kassandra Montag on Learning to Write Blunt, Unabashed Characters

By Kassandra Montag | September 13, 2019

Emma Donoghue on <em>Hamilton</em>, Writer's Block, and Giving Up on <em>War and Peace</em>

Emma Donoghue on Hamilton, Writer's Block, and Giving Up on War and Peace

5 Questions for the Author of Room and Akin

By Literary Hub | September 11, 2019

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Jennifer Croft, Angie Cruz, Alan Lightman and More Take the
Lit Hub Questionnaire

By Teddy Wayne | September 10, 2019

Just Because Walt Whitman Self-Published, Doesn't Mean You Should, Too

Just Because Walt Whitman Self-Published, Doesn't Mean You Should, Too

On Self-Publishing, Vanity, and the Need of a Good Editor

By Nick Ripatrazone | September 9, 2019

What Not to Expect From a Grad School Workshop

What Not to Expect From a Grad School Workshop

Lynn Steger Stronger is Not Giving Out Business Advice

By Lynn Steger Strong | September 6, 2019

On Being Mistaken for the Other Elizabeth Ames

On Being Mistaken for the Other Elizabeth Ames

A Progressive Novelist or a Free Marketeer?

By Elizabeth Ames | September 5, 2019

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

Walter Mosley on Discovering Who Your Book's Characters Really Are

By Walter Mosley | September 5, 2019

Good Sentences Are Why
We Read

By Joe Moran | August 30, 2019

Designing Your Grandfather's Book (When He's James Thurber)

By Sara T. Sauers | August 30, 2019

Where the Amateur Reader Ends, and the Professional Critic Begins

Where the Amateur Reader Ends, and the Professional Critic Begins

Tom Lutz on Where the Love of Books Can Lead

By Tom Lutz | August 30, 2019

The Virtues of the Semicolon; or, Rebellious Punctuation

The Virtues of the Semicolon; or, Rebellious Punctuation

It Cares Not for Your Rules

By Cecelia Watson | August 29, 2019

Bob Eckstein Draws His Way Through the Writer's Digest Annual Conference

Bob Eckstein Draws His Way Through the Writer's Digest Annual Conference

Classes! Advice! A Pitch Slam!

By Bob Eckstein | August 29, 2019

On the Politics of Italics

On the Politics of Italics

Jumoke Verissimo Wonders When It's Right to Highlight Difference

By Jumoke Verissimo | August 28, 2019

Why Are Writers Particularly <br>Drawn to Tarot?

Why Are Writers Particularly
Drawn to Tarot?

Alexander Chee, Laurie Filipelli and More on the Ways We Talk About the Future

By Rochelle Spencer | August 27, 2019

Susan Steinberg on the Value of Writing an Ugly Draft

Susan Steinberg on the Value of Writing an Ugly Draft

The Author of Machine in Conversation About Craft with Diane Cook

By Diane Cook | August 23, 2019

Why Do I Recite the Same Paul Celan Poem to All My Dates?

Why Do I Recite the Same Paul Celan Poem to All My Dates?

Or: Don't Hate the Player, Hate the Game

By Sara Martin | August 22, 2019

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Page 208 of 260
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    • Inside the World of Brubaker and Phillips' Criminal – on the Page and ScreenDecember 19, 2025 by Alex Segura
    • House of Day, House of Night
    • The Best Reviewed Books of the Week
    • "Tokarczuk is an excellent storyteller She is very good at creating a 'sense of anticipation…"
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