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“Dante’s Inferno begins: ‘Midway upon the journey of our life, I woke to find myself in a dark wood.’ That was me, stumbling into Tinderworld.” Nancy Jo Sales on the hellscape of dating apps. | Lit Hub Memoir
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Armchair catastrophist Jim Shepard reflects on the uncomfortable déjà vu of writing a pandemic novel pre-COVID-19. | Lit Hub
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Alexandra Kingston-Reese considers what we can learn about care work from the characters of Lorrie Moore and Ottessa Moshfegh. | Lit Hub
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“Creation does always have a price. But the price doesn’t have to be your soul.” Bridget Collins against the myth of the tormented artist. | Lit Hub
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James Grady remembers a surreal night in suburban DC, when he watched a Public Macho Standoff between Norman Mailer and G. Gordon Liddy. | Lit Hub
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Barbara Becker on the lonely experience of infertility and miscarriage before social media, and the community she found, many years later, online. | Lit Hub
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Olivette Otele examines the origins of white Europeans’ bigoted fascination with race, as seen in art and fiction. | Lit Hub History
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Bethanne Patrick recommends five books in translation you might have missed in April, featuring Bruno Lloret, Eva Meijer, and more. | Lit Hub Reading Lists
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Anna Karenina, The Vanishing Half, Where the Wild Things Are, and more rapid-fire book recs from Hamnet author Maggie O’Farrell. | Book Marks
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Olivia Rutigliano reflects on the career of the late, great comic actor Charles Grodin, who brought the “straight man” persona to its knees. | CrimeReads
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“When I’m open to beauty’s true power, I believe it changes me for the better.” Torrey Peters considers moments of unexpected beauty. | Harper’s BAZAAR
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Mary Beard talks to Katy Waldman about feminist translations, the fluidity of canons, and engaging with trolls. | The New Yorker
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In the midst of ongoing public reckonings, “book publishing is having an existential crisis.” | Vox
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Brian Broome considers masculinity, the history of racism in America, and the memory of his father. | NPR
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Molly McGhee reflects on Dead Souls and the reality that “no matter how poor, there is money to be made from the dead.” | The Paris Review
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Scott Ellsworth, who helped expose the events of the Tulsa race massacre to a national audience, discusses reparations and why “we do [students] a disservice by shielding them from the truth.” | Los Angeles Times
Also on Lit Hub: A reading list of outsiders, eccentrics, and misfits • Harrison Post: moneyed magnate or jazz-age grifter? • Read from Ailsa McFarlane’s debut novel, Highway Blue
