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On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

Steven Toussaint Considers the Melding of Ambivalence and Political Commitment

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Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

“It was from the outset a blackface minstrel tune, entertainment built on slavery and the trade in human beings.”

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On the Power and Purpose of Historical Fiction

On the Power and Purpose of Historical Fiction

A Conversation Between Eva Stachniak and Christina Baker Kline

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Tracing the Romance Genre’s Radical Roots, from Derided “Sex Novels” to <em>Bridgerton</em>

Tracing the Romance Genre’s Radical Roots, from Derided “Sex Novels” to Bridgerton

Hilary A. Hallett on Reclaiming “Trashy” Romances

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On My Love of Libraries: Lessons From My Father

On My Love of Libraries: Lessons From My Father

Rachel M. Harper: “I was a fellow worshipper, a member of the tribe; his daughter.”

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On the Persistent and Unambiguous Criminality of Donald J. Trump

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How Big-Tech Barons Smash Innovation (and How to Fight Back)

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On Assault, Memoir, Justice, and Time: A Conversation with Stephen Mills and Lacy Crawford

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“It’s a lot to ask of a reader, to bear witness to the pain of a child.”

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What are these serial killer subplots doing in Nora Ephron movies?

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Exclusive cover reveal: Erika Wurth's <em>White Horse</em>.

Exclusive cover reveal: Erika Wurth's White Horse.

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