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Look at these beautiful book sculptures adorned in fungi and coral.

Look at these beautiful book sculptures adorned in fungi and coral.

By Jonny Diamond | August 23, 2022

I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release

I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release

Lauren Acampora on the Public Consumption of Art, and How Not To Let It Consume You

By Lauren Acampora | August 23, 2022

What Langston Hughes Understood About How Power Relations Shaped US Census Data

What Langston Hughes Understood About How Power Relations Shaped US Census Data

Dan Bouk on “Madam and the Census Man” and the Untold Stories Behind Census Records

By Dan Bouk | August 23, 2022

The History of Riga’s “Little Nuremberg” Trial

The History of Riga’s “Little Nuremberg” Trial

Linda Kinstler on Paranoia and Justice in Soviet-Occupied Latvia

By Linda Kinstler | August 23, 2022

Stuck in a Spaceship: On <em>The Expanse</em> and Redrawing the Lines of a Body

Stuck in a Spaceship: On The Expanse and Redrawing the Lines of a Body

Allison Wyss Considers Bodies in Space and Our Communal Body on Earth

By Allison Wyss | August 23, 2022

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

The Author of This Story Will Change in Conversation at Greenlight Bookstore

By The Virtual Book Channel | August 23, 2022

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Reading Proust in a Black and White World

By Catherine Nichols | August 23, 2022

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

By Keen On | August 23, 2022

A Brief Political—and Personal—History of Gay Bathhouses

By Rasheed Newson | August 23, 2022

Timothée Chalamet and Luca Guadagnino snub Armie Hammer for their new film about cannibalism.

Timothée Chalamet and Luca Guadagnino snub Armie Hammer for their new film about cannibalism.

By Emily Temple | August 22, 2022

Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

What Five Years with a Predatory Vanity Press Taught Me About Art and Success

What Five Years with a Predatory Vanity Press Taught Me About Art and Success

Alexa T. Dodd on a Book Deal That Seemed Too Good to Be True

By Alexa T. Dodd | August 22, 2022

Mike Rothschild on the Ongoing Influence of QAnon and Its Self-Made Mythologies

Mike Rothschild on the Ongoing Influence of QAnon and Its Self-Made Mythologies

“Conspiracy theories will always be popular, because they make you feel like you’re smart, important, and part of a community.”

By Mike Rothschild | August 22, 2022

Eileen Myles Remembers Bobby Byrd

Eileen Myles Remembers Bobby Byrd

“His world was huge and specific.”

By Eileen Myles | August 22, 2022

Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity

Kristine Langley Mahler on How Online Rabbit Holes Fuel Creativity

“The looking is the creeper behavior, but the processing of those digital finds can become the nonfiction writer’s justification.”

By Kristine Langley Mahler | August 22, 2022

How the French Revolution and the January 6 American Insurrection Are Bookends in the Struggle for Democracy

How the French Revolution and the January 6 American Insurrection Are Bookends in the Struggle for Democracy

Laura Mason in Conversation with Andrew Keen

By Keen On | August 22, 2022

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    • Sujata Massey on Indian Mysteries, Saradindu Bandyopadhyay, and South Asian CinemaMarch 12, 2026 by Sujata Massey
    • Tiffany Crum on Translating the Unique Intimacy of Podcasts into FictionMarch 12, 2026 by Tiffany Crum
    • Noelle W. Ihli on Reading Survival Thrillers in a World of Real DangerMarch 12, 2026 by Noelle Ihli
    • The Beginning Comes After the End: Notes on a World of Change
    • The Best Reviewed Books of the Week
    • "Slim but powerful Solnit writes with moral clarity and philosophical vigor in a voice that…"
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