Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

“It was almost funny, except it wasn’t.”

By Georgia Pritchett | February 9, 2022

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

The Author of The Violin Conspiracy Talks to Jane Ciabattari

By Jane Ciabattari | February 9, 2022

Martin Puchner on the Climate Lessons from the <em>Epic of Gilgamesh</em>

Martin Puchner on the Climate Lessons from the Epic of Gilgamesh

“How should we humans narrate our self-made climate disaster?”

By Martin Puchner | February 9, 2022

On Clarence Major’s Enduring Portrait of the Blues, <em>Dirty Bird Blues</em>

On Clarence Major’s Enduring Portrait of the Blues, Dirty Bird Blues

Yusef Komunyakaa Introduces the 25th Anniversary Edition

By Yusef Komunyakaa | February 9, 2022

Colette Brooks on the Dangers of Misremembering Our Past

Colette Brooks on the Dangers of Misremembering Our Past

In Conversation with Andrew Keen on Keen On

By Keen On | February 9, 2022

A.J. Baime on Walter F. White and America’s Darkest Secret

A.J. Baime on Walter F. White and America’s Darkest Secret

In Conversation with Andrew Keen on Keen On

By Keen On | February 9, 2022

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On the 1863 novel that predicted the Internet, cars, skyscrapers, and electronic dance music.

By Walker Caplan | February 8, 2022

Exclusive cover reveal: Iain Reid’s We Spread.

By Literary Hub | February 8, 2022

Your literary guide to the 2022 Oscar nominations.

By Eliza Smith | February 8, 2022

<em>Drive My Car</em> is the first Japanese film ever to be nominated for Best Picture.

Drive My Car is the first Japanese film ever to be nominated for Best Picture.

By Walker Caplan | February 8, 2022

Medieval manuscripts as coloring books? Yes please.

Medieval manuscripts as coloring books? Yes please.

By Jonny Diamond | February 8, 2022

Here are this year's finalists for The Story Prize.

Here are this year's finalists for The Story Prize.

By Snigdha Koirala | February 8, 2022

What Has COVID Done to Our Romantic Relationships?

What Has COVID Done to Our Romantic Relationships?

Laura Kipnis on Isolation, Intimacy, and Knowing One’s Partner

By Laura Kipnis | February 8, 2022

Jean Rhys’ Women on the Margins: On the Perpetual Resonance of <em>Voyage in the Dark</em>

Jean Rhys’ Women on the Margins: On the Perpetual Resonance of Voyage in the Dark

Imogen Crimp on the Intersection of Ambition, Power, Gender and Money

By Imogen Crimp | February 8, 2022

Why <em>Crouching Tiger, Hidden Dragon</em> Fell Flat in Chinese Theaters

Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

Erich Schwartzel on Ang Lee’s Road to Hollywood

By Erich Schwartzel | February 8, 2022

“Little Shields, in Starlight”

“Little Shields, in Starlight”

A Poem by Carl Phillips

By Carl Phillips | February 8, 2022

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