Skeletons in the Closet: On <em>Mad Men</em> and White America’s Willful Amnesia

Skeletons in the Closet: On Mad Men and White America’s Willful Amnesia

“Only by wading into the past did I begin to envision a different kind of future, one where I could imagine myself a mother.”

By Kelly Shetron | March 15, 2023

“This Boy is Going to Be a Writer.” Remembering Paul La Farge’s Childhood

“This Boy is Going to Be a Writer.” Remembering Paul La Farge’s Childhood

Wendy Walker on Watching a Writer’s Life Unfold in Front of Her

By Wendy Walker | March 15, 2023

On Millennial Writers and the Need for New Narratives of Work

On Millennial Writers and the Need for New Narratives of Work

Bryony Lau Considers the Reinvention of the First Job Memoir

By Bryony Lau | March 15, 2023

Appropriating Their Way Into Existence: How Black Writers Upended Autofiction

Appropriating Their Way Into Existence: How Black Writers Upended Autofiction

DK Nnuro on the Power of Mimicry and Subversion in the Black Literary Tradition

By DK Nnuro | March 15, 2023

Alissa Quart on Why We Need to Liberate Ourselves From the “American Dream”

Alissa Quart on Why We Need to Liberate Ourselves From the “American Dream”

In Conversation with Andrew Keen on Keen On

By Keen On | March 15, 2023

The Gift of Holy Tongues: On Being the Bass Player for Evangelism

The Gift of Holy Tongues: On Being the Bass Player for Evangelism

“We learned to see ourselves as the lone heroes of our own epic dramas.”

By Matthew McNaught | March 15, 2023

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Are Mindfulness and Yoga the Luxuries of a Privileged Class?

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Oscar Isaac will play a sexy Kurt Vonnegut in a new crime series.

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Watch the very weird trailer for Haruki Murakami adaptation <em>Blind Willow, Sleeping Woman</em>.

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Here is the 2023 Republic of Consciousness Prize shortlist for the U.S. and Canada.

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In a surprise to no one, Gen Z prefers printed books over e-books.

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Greenlight's PLG location is crossing the rainbow bridge.

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A Legacy of Brutality and Corruption: Life in the New Iraq

A Legacy of Brutality and Corruption: Life in the New Iraq

Ghaith Abdul-Ahad on the High Costs of Post-Saddam Iraq

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