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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
  • Fiction and Poetry
    • Short Story
    • From the Novel
    • Poem
  • News and Culture
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“The Danger is Larger Because the Voice is Bigger.” Alexandra Billings on the Surge in Anti-Trans Legislation

“The Danger is Larger Because the Voice is Bigger.” Alexandra Billings on the Surge in Anti-Trans Legislation

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | April 14, 2022

Against (the Very Idea of) Procrastination

Against (the Very Idea of) Procrastination

Antonia Pont Really, Truly, Definitely Does Not Like the “P” Word

By Antonia Pont | April 14, 2022

A Promise of Who You Could Be Right Now: On the Intimacy and Illusions of <em>A Very Young Dancer</em>

A Promise of Who You Could Be Right Now: On the Intimacy and Illusions of A Very Young Dancer

Tova Mirvis on Jill Krementz’s Beloved Book, and the Life of Its Subject

By Tova Mirvis | April 14, 2022

“Oh My God, I Said That?” Rachel Signer on Her Uninhibited Debut Memoir

“Oh My God, I Said That?” Rachel Signer on Her Uninhibited Debut Memoir

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | April 14, 2022

Some Notes on Time, Memory, and the Artifacts We Leave Behind

Some Notes on Time, Memory, and the Artifacts We Leave Behind

Kristin Keane: “I cannot keep the arrow from moving forward.”

By Kristin Keane | April 14, 2022

Samantha Hunt on the Wild Delirium of Loving Language

Samantha Hunt on the Wild Delirium of Loving Language

“Being a human is extraordinary.”

By Samantha Hunt | April 13, 2022

Best Reviewed
Books of the Week

  • Heart the Lover
  • What a Time to Be Alive
  • Somebody Is Walking on Your Grave: My Cemetery Journeys
  • Pick a Color
  • The Eternal Forest: A Memoir of the Cuban Diaspora
  • Scream with Me: Horror Films and the Rise of American Feminism (1968-1980)

Tracing the Ancestry of the Earliest Enslaved Ndongo People

By Clyde W. Ford | April 8, 2022

An Essay About Men: Considering the Inner Worlds of Those Who Are Taught to Deny Them

By Holly Haworth | April 7, 2022

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

By The Maris Review | April 7, 2022

How Acting in True Crime Shows Allowed Me to Write the Story of My Stepsister’s Murder

How Acting in True Crime Shows Allowed Me to Write the Story of My Stepsister’s Murder

Rachel Rear on Grappling with Her Family’s Trauma, and Her Own

By Rachel Rear | April 7, 2022

The Power and Necessity of Learning from Books That Reflect Our Communities

The Power and Necessity of Learning from Books That Reflect Our Communities

Luma Mufleh on Designing Culturally Responsive Curricula

By Luma Mufleh | April 7, 2022

Douglas Stuart on the Defiant Spirit of Glasgow’s Doocots, Private Pigeon Lofts on Public Land

Douglas Stuart on the Defiant Spirit of Glasgow’s Doocots, Private Pigeon Lofts on Public Land

Seeking Unclaimed Space on the Edges of the City's Council Housing

By Douglas Stuart | April 6, 2022

The Secret Lives of Writers and Mothers

The Secret Lives of Writers and Mothers

Aamina Ahmad on Coming to Know Her Mother's Truest Self

By Aamina Ahamd | April 6, 2022

<em>Enough Already</em> by Valerie Bertinelli, Read by the Author

Enough Already by Valerie Bertinelli, Read by the Author

A Heartfelt Memoir on Love and Acceptance

By Behind the Mic | April 6, 2022

An Ode to the French Teacher Who Taught Me to Inhabit the Language

An Ode to the French Teacher Who Taught Me to Inhabit the Language

Grant Ginder on Getting Linguistic and Life Lessons from a “Very” French Woman

By Grant Ginder | April 5, 2022

Chloé Cooper Jones on Writing About Disability and Engaging With Beauty

Chloé Cooper Jones on Writing About Disability and Engaging With Beauty

The Author of Easy Beauty in Conversation With Greg Marshall

By Greg Marshall | April 5, 2022

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    • Heart the Lover
    • The Best Reviewed Books of the Week
    • "King captures her guileless sense of awe with just a dusting of parody that never…"
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