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  • Craft and Criticism
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Molly Shannon on Defying the Gatekeepers, Getting Mugged, and Her Most Iconic <em>SNL</em> Characters

Molly Shannon on Defying the Gatekeepers, Getting Mugged, and Her Most Iconic SNL Characters

In Conversation with Erin Hosier at Cuyahoga County Public Library

By Erin Hosier | April 25, 2022

Chloe Caldwell on the Blurred Lines—and Unexpected Rewards—of Stepmotherhood

Chloe Caldwell on the Blurred Lines—and Unexpected Rewards—of Stepmotherhood

“The mark of motherhood has been well-documented; the mark of stepmotherhood less so.”

By Chloé Caldwell | April 22, 2022

How Obsessively Reading About The Royal Family Got Me Through a Breakdown

How Obsessively Reading About The Royal Family Got Me Through a Breakdown

For Robert Leleux Finding the One Family More Messed Up Than His Own Was a Life-Saver

By Robert Leleux | April 22, 2022

Romeo Oriogun on Life as a Poet in Exile from Nigeria

Romeo Oriogun on Life as a Poet in Exile from Nigeria

This Week from The Common Podcast

By The Common | April 22, 2022

Edward Hirsch on Locating the Roots of the American Poetry Tradition

Edward Hirsch on Locating the Roots of the American Poetry Tradition

Poetry as Protest, Lament, and Call to Hope

By Edward Hirsch | April 21, 2022

Jesymn Ward on Discovering <em>for colored girls who have considered suicide/when the rainbow is enuf</em>

Jesymn Ward on Discovering for colored girls who have considered suicide/when the rainbow is enuf

“I am so thankful to Ntozake Shange for seeing us, reflecting us.”

By Jesmyn Ward | April 20, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

How the Pandemic Has Changed the Way We Think About Solitude and Loneliness

By Natalie Eve Garrett | April 20, 2022

The Chairman Had No Rhythm: What It Meant to Dance with Mao Zedong

By Vanessa Hua | April 20, 2022

Seeking Respite in Landscape: On Following Henry David Thoreau’s Walks

By Ben Shattuck | April 19, 2022

Adrienne Celt on Losing Her Creative “Rival” Too Soon

Adrienne Celt on Losing Her Creative “Rival” Too Soon

Memories of Grad School and Ambition, Death and Regret

By Adrienne Celt | April 19, 2022

What Does It Mean to Understand Pain?

What Does It Mean to Understand Pain?

Haider Warraich Considers the Complexity and Meanings of Chronic Pain

By Haider Warraich | April 19, 2022

The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief

The Bardo of Widowhood: Considering Kathryn Davis’s Meditations on Grief

Howard Norman Reads Aurelia, Aurélia

By Howard Norman | April 18, 2022

The Impossible, Crucial Task of Teaching About Rape as a Survivor

The Impossible, Crucial Task of Teaching About Rape as a Survivor

Emily Van Duyne on Navigating Stories that Institutions Ignore

By Emily Van Duyne | April 18, 2022

How Losing the Tether of Language Helped Me Process Grief

How Losing the Tether of Language Helped Me Process Grief

Amanda Bestor-Siegal on Her Year in Paris

By Amanda Bestor-Siegal | April 18, 2022

A Tumultuous Love, a Plea of Chocolate Cake: “Would He Taste Me in Each Bite?”

A Tumultuous Love, a Plea of Chocolate Cake: “Would He Taste Me in Each Bite?”

Sanaë Lemoine on the Intense Pull of Young Love

By Sanaë Lemoine | April 18, 2022

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

When Are Men Dangerous? On Agency, Imagination, and What a Teacher Can Do

Steve Edwards: “A story is a negotiation between what might have been, what is, and what still could be.”

By Steve Edwards | April 15, 2022

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    • Arthur Conan Doyle, Jack the Ripper and the Fact and Fiction of Criminal ProfilingNovember 3, 2025 by Rachel Corbett
    • Crime and the City: Falkland IslandsNovember 3, 2025 by Paul French
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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