Literary Hub » Film and TV

On the Coen Brothers’ Bitter, Brokenhearted Noir, <br><em>Miller’s Crossing</em>

On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing

Olivia Rutigliano Reflects on the Classic Gangster Film as It Heads to the Criterion Collection

By Olivia Rutigliano | February 9, 2022

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

“It was almost funny, except it wasn’t.”

By Georgia Pritchett | February 9, 2022

Your literary guide to the 2022 Oscar nominations.

Your literary guide to the 2022 Oscar nominations.

By Eliza Smith | February 8, 2022

<em>Drive My Car</em> is the first Japanese film ever to be nominated for Best Picture.

Drive My Car is the first Japanese film ever to be nominated for Best Picture.

By Walker Caplan | February 8, 2022

Why <em>Crouching Tiger, Hidden Dragon</em> Fell Flat in Chinese Theaters

Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

Erich Schwartzel on Ang Lee’s Road to Hollywood

By Erich Schwartzel | February 8, 2022

From <em>Little Miss Sunshine</em> to <em>Nanny</em>: How Genre is Transforming Our Idea of the “Sundance Film”

From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”

Reuben Baron Considers a Trend in This Year's Festival Standouts

By Reuben Baron | February 7, 2022

Best Reviewed
Books of the Week

Take an early peek at Hulu's adaptation of Conversations With Friends.

By Emily Temple | February 4, 2022

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

By Isaac Butler | February 4, 2022

A <em>Fake Accounts</em> TV series is on its way from Anonymous Content.

A Fake Accounts TV series is on its way from Anonymous Content.

By Walker Caplan | February 3, 2022

10 fictional publishing houses, ranked.

10 fictional publishing houses, ranked.

By Katie Yee | February 2, 2022

Will Smith Should’ve Been Our Rom-Com Hero

Will Smith Should’ve Been Our Rom-Com Hero

Scott Meslow on the Cost of Hollywood’s Institutional Racism

By Scott Meslow | February 2, 2022

The Literary Film and TV You Need to Stream in February

The Literary Film and TV You Need to Stream in February

The Best Month for Staying Inside

By Emily Temple | February 1, 2022

The true story behind Mr. Darcy’s infamous hand flex.

The true story behind Mr. Darcy’s infamous hand flex.

By Walker Caplan | January 31, 2022

“A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s <em>Bambi</em>

“A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s Bambi

Jack Zipes on the Great Shame of Diluting Salten’s Message

By Jack Zipes | January 31, 2022

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

By Walker Caplan | January 28, 2022

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