<em>Drive My Car</em> is the first Japanese film ever to be nominated for Best Picture.

Drive My Car is the first Japanese film ever to be nominated for Best Picture.

By Walker Caplan | February 8, 2022

Why <em>Crouching Tiger, Hidden Dragon</em> Fell Flat in Chinese Theaters

Why Crouching Tiger, Hidden Dragon Fell Flat in Chinese Theaters

Erich Schwartzel on Ang Lee’s Road to Hollywood

By Erich Schwartzel | February 8, 2022

From <em>Little Miss Sunshine</em> to <em>Nanny</em>: How Genre is Transforming Our Idea of the “Sundance Film”

From Little Miss Sunshine to Nanny: How Genre is Transforming Our Idea of the “Sundance Film”

Reuben Baron Considers a Trend in This Year's Festival Standouts

By Reuben Baron | February 7, 2022

Take an early peek at Hulu's adaptation of <em>Conversations With Friends</em>.

Take an early peek at Hulu's adaptation of Conversations With Friends.

By Emily Temple | February 4, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

Isaac Butler on Accessing Character’s Emotion

By Isaac Butler | February 4, 2022

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A Fake Accounts TV series is on its way from Anonymous Content.

By Walker Caplan | February 3, 2022

10 fictional publishing houses, ranked.

By Katie Yee | February 2, 2022

Will Smith Should’ve Been Our Rom-Com Hero

By Scott Meslow | February 2, 2022

The Literary Film and TV You Need to Stream in February

The Literary Film and TV You Need to Stream in February

The Best Month for Staying Inside

By Emily Temple | February 1, 2022

The true story behind Mr. Darcy’s infamous hand flex.

The true story behind Mr. Darcy’s infamous hand flex.

By Walker Caplan | January 31, 2022

“A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s <em>Bambi</em>

“A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s Bambi

Jack Zipes on the Great Shame of Diluting Salten’s Message

By Jack Zipes | January 31, 2022

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

By Walker Caplan | January 28, 2022

On <em>The Afterparty</em> and the Rise of the “Millennial Whodunnit”

On The Afterparty and the Rise of the “Millennial Whodunnit”

Olivia Rutigliano Takes Stock of the Star-Studded New Show

By Olivia Rutigliano | January 28, 2022

Is <em>The Lost Daughter</em> <br>a Horror Film?

Is The Lost Daughter
a Horror Film?

Elizabeth Horkley on Creepy Dolls and Taboo Territory in the New Ferrante Adaptation

By Elizabeth Horkley | January 27, 2022

How Modern Storytelling Uses Aliens to Talk About Humanity

How Modern Storytelling Uses Aliens to Talk About Humanity

Mike Chen on the Power of Allegory in Science Fiction

By Mike Chen | January 27, 2022

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