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Take an early peek at Hulu's adaptation of <em>Conversations With Friends</em>.

Take an early peek at Hulu's adaptation of Conversations With Friends.

By Emily Temple | February 4, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

The Deep Roots of Acting Philosophy Behind Frances McDormand’s Craft

Isaac Butler on Accessing Character’s Emotion

By Isaac Butler | February 4, 2022

A <em>Fake Accounts</em> TV series is on its way from Anonymous Content.

A Fake Accounts TV series is on its way from Anonymous Content.

By Walker Caplan | February 3, 2022

10 fictional publishing houses, ranked.

10 fictional publishing houses, ranked.

By Katie Yee | February 2, 2022

Will Smith Should’ve Been Our Rom-Com Hero

Will Smith Should’ve Been Our Rom-Com Hero

Scott Meslow on the Cost of Hollywood’s Institutional Racism

By Scott Meslow | February 2, 2022

Best Reviewed
Books of the Week

  • The Beginning Comes After the End: Notes on a World of Change
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  • The Glorians: Visitations from the Holy Ordinary

The Literary Film and TV You Need to Stream in February

By Emily Temple | February 1, 2022

The true story behind Mr. Darcy’s infamous hand flex.

By Walker Caplan | January 31, 2022

“A Syrupy Love-Fest.” On the Blasphemous Disneyfication of Felix Salten’s Bambi

By Jack Zipes | January 31, 2022

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

“Potentially very difficult”: Ryusuke Hamaguchi on adapting Haruki Murakami’s “Drive My Car.”

By Walker Caplan | January 28, 2022

On <em>The Afterparty</em> and the Rise of the “Millennial Whodunnit”

On The Afterparty and the Rise of the “Millennial Whodunnit”

Olivia Rutigliano Takes Stock of the Star-Studded New Show

By Olivia Rutigliano | January 28, 2022

Is <em>The Lost Daughter</em> <br>a Horror Film?

Is The Lost Daughter
a Horror Film?

Elizabeth Horkley on Creepy Dolls and Taboo Territory in the New Ferrante Adaptation

By Elizabeth Horkley | January 27, 2022

How Modern Storytelling Uses Aliens to Talk About Humanity

How Modern Storytelling Uses Aliens to Talk About Humanity

Mike Chen on the Power of Allegory in Science Fiction

By Mike Chen | January 27, 2022

Let's remember when <em>The Simpsons</em> did

Let's remember when The Simpsons did "The Raven."

By Dan Sheehan | January 26, 2022

Watch the new trailer for the third season of <em>My Brilliant Friend</em>.

Watch the new trailer for the third season of My Brilliant Friend.

By Emily Temple | January 26, 2022

We’re All Just Extras Here: Wandering the Back Streets of Old Hollywood

We’re All Just Extras Here: Wandering the Back Streets of Old Hollywood

David L. Ulin Traces a Season of Displacement in Old Los Angeles

By David L. Ulin | January 26, 2022

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    • Technofascism in Thrillers: A Reading ListMarch 11, 2026 by Ani Katz
    • The Greatest Dangerous Female Characters in LiteratureMarch 11, 2026 by Lisa Unger
    • Lenore Nash on Writing International, Character-Driven Detective StoriesMarch 11, 2026 by Lenore Nash
    • The Beginning Comes After the End: Notes on a World of Change
    • The Best Reviewed Books of the Week
    • "Slim but powerful Solnit writes with moral clarity and philosophical vigor in a voice that…"
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