Literary Hub » Film and TV

Older, Grayer, Sober: Aging Alongside the <em>Jackass</em> Dudes

Older, Grayer, Sober: Aging Alongside the Jackass Dudes

Jonathan Russell Clark on the Changing Ethos of Skateboarding Culture

By Jonathan Russell Clark | February 23, 2022

Of <em>Terminator</em> and Motherhood: Why My Mom’s Franchise Fandom Finally Makes Sense

Of Terminator and Motherhood: Why My Mom’s Franchise Fandom Finally Makes Sense

Aisling Walsh on Hope and Responsibility in a Bleak World

By Aisling Walsh | February 22, 2022

Olivia Colman is our new Miss Havisham.

Olivia Colman is our new Miss Havisham.

By Eliza Smith | February 18, 2022

How a Swedish Whodunnit Speaks to Pandemic Life in Delhi (and the World)

How a Swedish Whodunnit Speaks to Pandemic Life in Delhi (and the World)

Anandi Mishra on Anxious People in Times of Crisis

By Anandi Mishra | February 18, 2022

How Buster Keaton Became a Cinematic Superstar

How Buster Keaton Became a Cinematic Superstar

James Curtis on Buster Keaton's Transition from the Stage to the Screen

By James Curtis | February 18, 2022

David Wright Faladé on the Case for Civil War Revisionism in Film and Literature

David Wright Faladé on the Case for Civil War Revisionism in Film and Literature

“We are writing ourselves closer to the ideals purported at the founding.”

By David Wright Faladé | February 15, 2022

Best Reviewed
Books of the Week

Let's take a tour of Salman Rushdie's IMDb page.

By Jessie Gaynor | February 14, 2022

In the Resurgence of Folk Horror, We Are the Villains

By Michelle Nijhuis | February 14, 2022

Bless This Sex: On Dating Shows and the Touch We Want to Remember

By K Chiucarello | February 14, 2022

<em>Death on the Nile</em> is Predictably Cursed by Its Troublesome Cast

Death on the Nile is Predictably Cursed by Its Troublesome Cast

Despite Branagh’s Best Efforts, the New Agatha Christie Adaptation Soured on the Shelf

By Marah Eakin | February 11, 2022

Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy

Erich Schwartzel on Hollywood, China, and the Global Battle for Cultural Supremacy

In Conversation with Andrew Keen on Keen On

By Keen On | February 11, 2022

Reality TV is Getting Boring Again—and Maybe That’s a Good Thing

Reality TV is Getting Boring Again—and Maybe That’s a Good Thing

Danielle J. Lindemann Traces the Genre’s Boomeranging Evolution

By Danielle J. Lindemann | February 10, 2022

On the Coen Brothers’ Bitter, Brokenhearted Noir, <br><em>Miller’s Crossing</em>

On the Coen Brothers’ Bitter, Brokenhearted Noir,
Miller’s Crossing

Olivia Rutigliano Reflects on the Classic Gangster Film as It Heads to the Criterion Collection

By Olivia Rutigliano | February 9, 2022

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

Georgia Pritchett Recounts a TV Industry #MeToo Experience in Three Acts, with No Closure

“It was almost funny, except it wasn’t.”

By Georgia Pritchett | February 9, 2022

Your literary guide to the 2022 Oscar nominations.

Your literary guide to the 2022 Oscar nominations.

By Eliza Smith | February 8, 2022

<em>Drive My Car</em> is the first Japanese film ever to be nominated for Best Picture.

Drive My Car is the first Japanese film ever to be nominated for Best Picture.

By Walker Caplan | February 8, 2022

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