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In Praise of the Mighty Zine

In Praise of the Mighty Zine

Live, from the LA Zine Fest

By Liska Jacobs | March 10, 2016

Geoff Dyer:

Geoff Dyer: "What Kind of Writer is Annie Dillard?"

In Search of the Wide-Awake Reader

By Geoff Dyer | March 10, 2016

Yes, She Reads Everything: Pico Iyer on Annie Dillard

Yes, She Reads Everything: Pico Iyer on Annie Dillard

A Writer Furiously Alive and Impossible to Anticipate

By Pico Iyer | March 10, 2016

On the Deep Disquiet of Finishing Your Book

On the Deep Disquiet of Finishing Your Book

Fernando Pessoa, Joy Williams, and the gap between writing and publishing

By Jonathan Lee | March 8, 2016

The Things We Do to Promote the Books We Write

The Things We Do to Promote the Books We Write

Summer Brennan on Publicity, Social Media, and Marlon James, Chef

By Summer Brennan | March 8, 2016

Hidden Stories and Historical Half-truths: Lies Your Ancestors Told You

Hidden Stories and Historical Half-truths: Lies Your Ancestors Told You

On history, heritage, and whitewashing

By Anita Huslin | March 7, 2016

Best Reviewed
Books of the Week

  • The Keeper
  • The Life You Want
  • The News from Dublin: Stories
  • Kutchinsky's Egg: A Family's Story of Obsession, Love, and Loss
  • Metropolitans: New York Baseball, Class Struggle, and the People's Team
  • A Good Person

The Diminishing Returns of Freelance Magazine Writing

By Kent Russell | March 3, 2016

Dear Rick Moody: Should I Tell Them I Love Them?

By Rick Moody | February 26, 2016

Secrets of the Book Designer: Falling in Love With a Book, Taking a Risk

By Janet Hansen | February 25, 2016

Walt Whitman is Dead, I'm Divorced, and the Universe Goes On

Walt Whitman is Dead, I'm Divorced, and the Universe Goes On

On Life and Death as a Grand Series of Comings and Goings

By J. Aaron Sanders | February 25, 2016

Why I Became a Travel Writer

Why I Became a Travel Writer

John Gimlette on Doing the Not Very Sensible Thing

By John Gimlette | February 24, 2016

When Art Cannot Console Us in Death

When Art Cannot Console Us in Death

Emily Harnett on the Hard Art of the Death Memoir

By Emily Harnett | February 17, 2016

Why Does Art Happen in Pairs?

Why Does Art Happen in Pairs?

Or What To Do When a Novel Just Like Yours Comes Out First

By Drew Nellins Smith | February 12, 2016

What Makes Something Funny?

What Makes Something Funny?

Stuart Evers on Why Jokes Make the Best Weapons

By Stuart Evers | February 12, 2016

A Bikini, a Toothbrush, and 44 Issues of <em>The New Yorker</em>

A Bikini, a Toothbrush, and 44 Issues of The New Yorker

In Which Summer Brennan Attempts to Catch Up On a Year's Reading

By Summer Brennan | February 11, 2016

How to Write What You <em>Don't</em> Know

How to Write What You Don't Know

Amy Gustine on the Deep Research Behind Good Fiction

By Amy Gustine | February 10, 2016

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Page 329 of 336
    • The Race to Get Inside a Brazilian Prison to Interview an International Pop Star FugitiveApril 7, 2026 by Christopher McDougall
    • How The Horrors Of Dating Can Lay The Groundwork for A Good Thriller April 7, 2026 by Kirsten King
    • The Night Kate Crane Watched the Story of Her Father's Murder Unfold as an Episode of 'Homicide'April 7, 2026 by Kate Crane
    • The Keeper
    • The Best Reviewed Books of the Week
    • "rench bring us directly into her characters heads The mystery is as much about their…"
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