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What Makes <em>The Princess Bride</em> Such a Great Movie?

What Makes The Princess Bride Such a Great Movie?

Chris Jones on Stories That Defy Labels

By Chris Jones | January 11, 2022

Why Do We Return to the Greek Myths Again and Again?

Why Do We Return to the Greek Myths Again and Again?

Charlotte Higgins and Stacey Swann on the Perpetual Relevance of the Classics

By Literary Hub | January 11, 2022

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

The Creative Power of Rage: On Fictionalizing the Lives of Righteously Violent Historical Women

Gwen E. Kirby on Her Literary “Stabby Period”

By Gwen E. Kirby | January 11, 2022

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Sequoia Nagamatsu, Weike Wang, and More

By Teddy Wayne | January 11, 2022

“It Turned Out That It’s Possible.” Lejla Kalamujić on Being Openly Gay in Sarajevo

“It Turned Out That It’s Possible.” Lejla Kalamujić on Being Openly Gay in Sarajevo

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 11, 2022

Vision Quest: On Trying to Define the Great American Novel

Vision Quest: On Trying to Define the Great American Novel

Jonathan Evison Considers the Literary Canon and His Latest Work of Historical Fiction

By Jonathan Evison | January 10, 2022

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How Jean Hanff Korelitz Learned to Create Tension and Suspense on the Page

By First Draft: A Dialogue on Writing | January 10, 2022

My Hoodie is My Office: Antoine Wilson on What He Needs to Write

By Antoine Wilson | January 7, 2022

Xochitl Gonzalez on the Emotional Toll of Success

By The Maris Review | January 6, 2022

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Brooklyn Is Where the Heart Is: On Leaving Home to Write About It

Xochitl Gonzalez Considers the Power of Memory in Creating Literary Detail

By Xochitl Gonzalez | January 6, 2022

WATCH: Amy Leach and Eula Biss on Our Interconnected World

WATCH: Amy Leach and Eula Biss on Our Interconnected World

Hosted by Greenlight Bookstore

By The Virtual Book Channel | January 6, 2022

Lou Mathews on Studying with the Great Raymond Carver (During Carver's Drinking Days)

Lou Mathews on Studying with the Great Raymond Carver (During Carver's Drinking Days)

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 6, 2022

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Learning, Practice, and Repetition: Why the Act of Writing Is Work

Jessie Greengrass on the Intersection of Muse and Routine

By Jessie Greengrass | January 5, 2022

15 new books to help you accomplish your 2022 reading goals.

15 new books to help you accomplish your 2022 reading goals.

By Katie Yee | January 4, 2022

Crossing the Distance Between Fact and Truth in a Story About Love and Exile

Crossing the Distance Between Fact and Truth in a Story About Love and Exile

Yara Zgheib on Writing a Truthful Fiction About—and Amid—a Travel Ban

By Yara Zgheib | January 4, 2022

Is Climate Writing Stuck?

Is Climate Writing Stuck?

Heather Houser on Spotting the Oft-Repeated “Tics” of the Genre

By Heather Houser | January 3, 2022

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Page 194 of 337
    • James Wolff on Why the World of Espionage Is Impossibly MessyApril 14, 2026 by James Wolff
    • What to Watch Now: Syriana (2005)April 14, 2026 by Radha Vatsal
    • R.M. Caldwell on Writing a Regency-Era 'Fast and the Furious', Neurodivergence, and MoreApril 14, 2026 by Alex Dueben
    • Transcription
    • The Best Reviewed Books of the Week
    • "As talky and thinky as a memory play sweeping up Kafka Covid glass flowers and…"
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