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Lauren Groff on the Complexities of Faith in Her New Book

Lauren Groff on the Complexities of Faith in Her New Book

This Week from the Reading Women Podcast

By Reading Women | September 29, 2021

On Loving, Losing, and Returning to Poetry

On Loving, Losing, and Returning to Poetry

Ari Honarvar Traces Her Relationship to Rumi, Her Mother, and Her Persian Identity

By Ari Honarvar | September 28, 2021

Multiple Narrators, Multiple Truths: A Reading List

Multiple Narrators, Multiple Truths: A Reading List

Sophie Ward Recommends Jennifer Egan, Han Kang, the Brothers Grimm, and More

By Sophie Ward | September 28, 2021

Sandra Cisneros on the Need for Dialogue With the Ones You Love

Sandra Cisneros on the Need for Dialogue With the Ones You Love

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | September 27, 2021

Bargaining a Writing Career for a Father’s Life

Bargaining a Writing Career for a Father’s Life

Christopher Sorrentino on a Year of Literary Success and Personal Cataclysm

By Christopher Sorrentino | September 27, 2021

Why My Favorite Characters to Write Are Often Unsympathetic and Unforgivable

Why My Favorite Characters to Write Are Often Unsympathetic and Unforgivable

Askold Melnyczuk on the Importance of Moral Complexity in Fiction

By Askold Melnyczuk | September 27, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Rachel Long on the “Unlanguage” of Writing About the Body

By Otherppl with Brad Listi | September 27, 2021

Grant Faulkner on Sin as Experimentation

By First Draft: A Dialogue on Writing | September 27, 2021

Yiyun Li on Taking Writing Lessons from War and Peace

By Yiyun Li | September 24, 2021

How Philip Roth Controlled the Narrative of His Own Life

How Philip Roth Controlled the Narrative of His Own Life

Biographer Jacques Berlinerblau on the Death of Critical Distance

By Jacques Berlinerblau | September 24, 2021

Interview with a Journal: <em>The Georgia Review</em>

Interview with a Journal: The Georgia Review

Everything You Need to Know About the Literary-Cultural Journal Published Out of the University of Georgia

By Vanessa Willoughby | September 24, 2021

Celeste Mohammed on Writing a Book About the Complexities of Island Life

Celeste Mohammed on Writing a Book About the Complexities of Island Life

This Week from The Common Podcast

By The Common | September 24, 2021

What is Revealed by the Family Stories That Go Untold?

What is Revealed by the Family Stories That Go Untold?

Kei Miller: “I know how to tell stories, but how does one begin to tell silence?”

By Kei Miller | September 23, 2021

“Extra, Extra! Completely Incoherent Writing Advice.” A Conversation with Lucie Elven

“Extra, Extra! Completely Incoherent Writing Advice.” A Conversation with Lucie Elven

This Week on Otherppl with Brad Listi

By Otherppl with Brad Listi | September 23, 2021

Lauren Groff on Blending Research and Imagination in Historical Fiction

Lauren Groff on Blending Research and Imagination in Historical Fiction

Jane Ciabattari Talks to the Author of Matrix

By Jane Ciabattari | September 22, 2021

Beyond the “Whodunnit.” Paula Hawkins on the Importance of Gray Areas in Crime Novels

Beyond the “Whodunnit.” Paula Hawkins on the Importance of Gray Areas in Crime Novels

This Week from the Reading Women Podcast

By Reading Women | September 22, 2021

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Page 160 of 263
    • Adrian McKinty's The Chain Gets an HBO Series OrderJanuary 29, 2026 by Olivia Rutigliano
    • 5 Novels with Perfectly Unsympathetic ProtagonistsJanuary 29, 2026 by Sophie Hannah
    • Adriane Leigh on Why We Are Living in the Age of the Unreliable NarratorJanuary 29, 2026 by Adriane Leigh
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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