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<em>Reading Women</em> on the Emotional Complexities in Women’s Crime Fiction

Reading Women on the Emotional Complexities in Women’s Crime Fiction

This Week from the Reading Women Podcast

By Reading Women | October 20, 2021

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland

Elaine Feeney Considers the Emotional Journey to Her Novel, As You Were

By Elaine Feeney | October 20, 2021

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Jane Ciabattari Talks to the Author of Monster in the Middle

By Jane Ciabattari | October 19, 2021

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis

The Author of Smile in Conversation With Playwright, Beth Henley

By Beth Henley | October 19, 2021

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | October 19, 2021

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Writing from Home: Lessons from a Novelist-Slash-Small-Town Newspaper Columnist

Nickolas Butler on Writing as an Act of Service and the Power of Local News

By Nickolas Butler | October 18, 2021

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

How Do You Write About People Who Don’t Want To Be Written About?

By Ethan Lou | October 18, 2021

Richard Powers on the Duplicity of Bewilderment

By First Draft: A Dialogue on Writing | October 18, 2021

Read Ezra Pound's extensive revisions to T. S. Eliot's The Waste Land.

By Vanessa Willoughby | October 15, 2021

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

Jonathan Franzen on Reckoning with the Limits and Purposes of Writing Novels

This Week on the Radio Open Source Podcast

By Open Source | October 15, 2021

Marguerite Duras on Finding Stories Everywhere

Marguerite Duras on Finding Stories Everywhere

“Around us, everything is writing.”

By Marguerite Duras | October 15, 2021

Alfred Molina on His Genre- and Character-Spanning Career

Alfred Molina on His Genre- and Character-Spanning Career

In Conversation with Josephine Reed for AudioFile Magazine

By Behind the Mic | October 15, 2021

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Mondiant Dogon on Writing as an Important and Difficult Healing Process

Jenna Krajeski Talks to Her Co-Writer and Author of Those We Throw Away Are Diamonds

By Jenna Krajeski | October 15, 2021

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

Steph Cha on Choosing the Best of Mystery and Suspense During an Unprecedented and Harrowing Year

“If mystery writers are paying attention, it should have a transformative effect on the genre.”

By Steph Cha | October 14, 2021

WATCH: Azareen Van Der Vliet Oloomi and Eileen Myles on Writing Against Linearity

WATCH: Azareen Van Der Vliet Oloomi and Eileen Myles on Writing Against Linearity

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 14, 2021

Susan Orlean: “In the End, What Matters is Noticing.”

Susan Orlean: “In the End, What Matters is Noticing.”

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 14, 2021

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Page 152 of 257
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    • Crime and the City: County KerryNovember 10, 2025 by Paul French
    • I’m 13 Years Late to The Amazing Spider-Man and I Have ThoughtsNovember 7, 2025 by Olivia Rutigliano
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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