Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

The Significance of Romare Bearden’s Art in the American Canon

The Significance of Romare Bearden’s Art in the American Canon

Glenda Gilmore in Conversation with Andrew Keen

By Keen On | May 16, 2022

Aimee Mullins on Finding a World of Possibilities in Every Problem

Aimee Mullins on Finding a World of Possibilities in Every Problem

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | May 11, 2022

How the Bay Area’s Black Cowboys Carry on a Long Tradition

How the Bay Area’s Black Cowboys Carry on a Long Tradition

Gabriela Hasbun on Photographing the Rodeo

By Gabriela Hasbun | May 10, 2022

What Does It Mean to “Look” Ill?

What Does It Mean to “Look” Ill?

Alice Hattrick on Invisible Pain and Elizabeth Barrett Browning's Portrait

By Alice Hattrick | May 10, 2022

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

How Sylvia Sleigh’s Nude Male Portraits Subverted the Muse Narrative

The Feminist Painter Who Resisted Objectification

By Ruth Millington | May 9, 2022

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Charlie Porter on the Unspoken Language of the Sartorial

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We Are in a Golden Age of Historical Fiction for People of Color

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Jasmin Darznik on How the Untold Stories of the Past Resonate Today

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“I Know You Understand.” A Letter Across Time from Celia Paul to Fellow Artist Gwen John

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Toni Bentley on George Balanchine, the Man Who Loved Women

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Illustrating Patricia Highsmith’s Literary Career

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By Grace Ellis and Hannah Temper | April 25, 2022

Artist Lita Albuquerque on Regeneration After the Fire

Artist Lita Albuquerque on Regeneration After the Fire

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Alan Lee on Illustrating J.R.R. Tolkien’s <em>The Lord of the Rings</em>

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On Creating the Feeling of a Gateway into Another World

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