Why I Chose to Be the Cover Model for My Own Novel

Why I Chose to Be the Cover Model for My Own Novel

Alvina Chamberland: “I want to take up as much space as possible, both body and soul.”

By Alvina Chamberland | March 25, 2024

Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On

Not Just Covers, But Every Page: Why Writers Should Talk About Book Design Early On

Debbie Berne on the Intricacies of Literary Interior Design

By Debbie Berne | March 15, 2024

The Birds of Northern Manhattan: On Vanishing Human and Non-Human Habitats

The Birds of Northern Manhattan: On Vanishing Human and Non-Human Habitats

Emily Raboteau Considers the Intersections of Climate Change and Gentrification

By Emily Raboteau | March 13, 2024

Jennifer Croft on Photography as an Unexpected Writing Tool

Jennifer Croft on Photography as an Unexpected Writing Tool

“It allows me to reframe the central questions of my work.”

By Jennifer Croft | March 8, 2024

Double Vision: How the McLaughlin Sisters Took the Photography World By Storm

Double Vision: How the McLaughlin Sisters Took the Photography World By Storm

Carol Kino on On Our Enduring Cultural Fascination With Twins

By Carol Kino | March 8, 2024

Between Desirability and Possibility: On the Beauty of the Aging Female Body

Between Desirability and Possibility: On the Beauty of the Aging Female Body

Darcey Steinke Considers the Work of Linda Troeller and the Liberatory Potential of the Self-Portrait

By Darcey Steinke | March 7, 2024

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Unruly Writing: On the Problem with the Fragmented Art History Book

By Dalya Benor | March 5, 2024

Lost Boys: On a Hidden Fraternity of the Forsaken in the American West

By Judith Freeman and Jim Mangan | March 4, 2024

The Rarely Seen Color Photographs of Garry Winogrand

By Michael Almereyda | February 26, 2024

Visual Disposability: How Photographic Practice Dehumanizes Black Bodies

Visual Disposability: How Photographic Practice Dehumanizes Black Bodies

Kimberly Juanita Brown on the Long, Global Tradition of the Antiblack Gaze

By Kimberly Juanita Brown | February 23, 2024

When Your Childhood Belongs to Everyone: Growing Up in a Downtown Manhattan That Changed Forever on 9/11

When Your Childhood Belongs to Everyone: Growing Up in a Downtown Manhattan That Changed Forever on 9/11

Emma Dries on Loft Life Above the Fulton Fish Market and the Day That Everything Changed

By Emma Dries | February 22, 2024

The Artist is Banned for Violating Community Guidelines: On Belle Delphine, Marina Abramovic, and Womanhood-As-Performance

The Artist is Banned for Violating Community Guidelines: On Belle Delphine, Marina Abramovic, and Womanhood-As-Performance

Rafael Frumkin Explores the Intersection of Art, Sexuality and Digital Content Creation

By Rafael Frumkin | February 16, 2024

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Mark Braude Considers the Blurred Lines Between Object and Participant, Artist and Muse

By Mark Braude | February 9, 2024

Blood, Sweat, and Paint: Finding the Work Behind the Art

Blood, Sweat, and Paint: Finding the Work Behind the Art

Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective

By Bianca Bosker | February 8, 2024

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Adam Greenhalgh on the American Abstract Painter's Early Years

By Adam Greenhalgh | February 7, 2024

How Ai Weiwei Marries Advocacy and Art at Home and Abroad

How Ai Weiwei Marries Advocacy and Art at Home and Abroad

From His Graphic Memoir, "Zodiac"

By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini | January 30, 2024

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