Literary Hub » Art and Photography

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Who Made Who? On the Creative Collaboration of Man Ray and Kiki de Montparnasse

Mark Braude Considers the Blurred Lines Between Object and Participant, Artist and Muse

By Mark Braude | February 9, 2024

Blood, Sweat, and Paint: Finding the Work Behind the Art

Blood, Sweat, and Paint: Finding the Work Behind the Art

Bianca Bosker Explores the Artistic Practice From the Painter’s Perspective

By Bianca Bosker | February 8, 2024

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Between Risk and Control: How Mark Rothko Discovered His Signature Style

Adam Greenhalgh on the American Abstract Painter's Early Years

By Adam Greenhalgh | February 7, 2024

How Ai Weiwei Marries Advocacy and Art at Home and Abroad

How Ai Weiwei Marries Advocacy and Art at Home and Abroad

From His Graphic Memoir, "Zodiac"

By Ai Weiwei, Elettra Stamboulis and Gianluca Costantini | January 30, 2024

Permanent Newness: Surrealism at 100

Permanent Newness: Surrealism at 100

Mark Polizzotti on the Legacy of One of the 20th Century’s Most Innovative Artistic Movements

By Mark Polizzotti | January 9, 2024

How the Fire That Destroyed My Paintings Turned Me Into a Writer

How the Fire That Destroyed My Paintings Turned Me Into a Writer

Jonathan Santlofer on Art, Career Changes, and the Joy of Something New

By Jonathan Santlofer | January 5, 2024

Best Reviewed
Books of the Week

On the Serious Business of 19th-Century Fairy Paintings

By Jennifer Higgie | January 5, 2024

How Alien We Seem: On Being Blind and Obsessed with Photography

By M. Leona Godin | January 4, 2024

How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward

By Michelle Wildgen | January 2, 2024

Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes

Rebecca Solnit on Meghann Riepenhoff’s Cyanotype Prints Made in Freezing Landscapes

“The processes of photography were liquid for most of the medium’s history...”

By Rebecca Solnit and Meghann Riepenhoff | December 13, 2023

The 139 Best Book Covers of 2023

The 139 Best Book Covers of 2023

We Asked 47 Designers for Their Favorites

By Emily Temple | December 12, 2023

Memories Lost and Found: On the Photography of Binh Danh

Memories Lost and Found: On the Photography of Binh Danh

“Precious things lost are transmutable. They refuse oblivion.”

By Binh Danh | December 11, 2023

Embracing Uncertainty: In Defense of Question-Seeking Criticism

Embracing Uncertainty: In Defense of Question-Seeking Criticism

Helen Molesworth on the Uses and Functionality of the Arts and Humanities

By Helen Molesworth | December 11, 2023

Plain-Spoken Performance Art: A Conversation with Laurie Anderson

Plain-Spoken Performance Art: A Conversation with Laurie Anderson

Brooke Wentz Talks to the Legendary Artist about Art School, Eavesdropping, and the Avant-Garde

By Brooke Wentz | December 8, 2023

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Graffiti Gentrification: Mattilda Bernstein Sycamore on the Exploitation of Basquiat

Considering Boom for Real: The Late-Teenage Years of Jean-Michel Basquiat While Walking Through Baltimore

By Mattilda Bernstein Sycamore | November 30, 2023

Muse as Medium: On the Women Pablo Picasso Remade in His Image

Muse as Medium: On the Women Pablo Picasso Remade in His Image

Mara Naselli Considers the Visceral Visual Violence of the Artist’s Oeuvre

By Mara Naselli | November 29, 2023

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