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“I’m in Communion with Emily Dickinson.” Jennifer Michael Hecht on How to Navigate Our World Through Poetry

“I’m in Communion with Emily Dickinson.” Jennifer Michael Hecht on How to Navigate Our World Through Poetry

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 14, 2023

Gish Jen on Mining Tension in Fiction

Gish Jen on Mining Tension in Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 13, 2023

Was Nabokov’s Love of the Cinema a Way to Survive Exile?

Was Nabokov’s Love of the Cinema a Way to Survive Exile?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 13, 2023

Field Notes for Surviving a Family Cult: Michelle Dowd Revisits Her Childhood in <em>Forager</em>

Field Notes for Surviving a Family Cult: Michelle Dowd Revisits Her Childhood in Forager

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 13, 2023

Camonghne Felix on Her Gamification Approach to Collage

Camonghne Felix on Her Gamification Approach to Collage

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 9, 2023

<em>Letters to a Writer of Color</em>: Deepa Anappara and Taymour Soomro on Finding Community With Each Other

Letters to a Writer of Color: Deepa Anappara and Taymour Soomro on Finding Community With Each Other

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | March 9, 2023

Best Reviewed
Books of the Week

  • Switzy
  • Taipei Story
  • Ambivalence: An Education
  • The Pirate Queen
  • The Living Realm
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  • In the Realm of the Last Man: A Memoir
  • Love Machines: How Artificial Intelligence Is Transforming Our Relationships
  • The Passing of the Dragon and Other Stories
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Jennifer Wright on Madame Restell, Anthony Comstock, and Abortion in the 19th Century

By The Maris Review | March 9, 2023

Elisabeth Griffith on American Women and the Fight for Equality

By Just the Right Book | March 9, 2023

Layli Long Soldier on the Joys of Creative Liberation

By Thresholds | March 8, 2023

Liz Hoffman on How Government and Corporations Successfully Crash Landed the COVID Economy

Liz Hoffman on How Government and Corporations Successfully Crash Landed the COVID Economy

In Conversation with Andrew Keen on Keen On

By Keen On | March 7, 2023

Lydia Conklin on Letting Their Personality Into Their Work

Lydia Conklin on Letting Their Personality Into Their Work

In Conversation with Alex Higley and Lindsay Hunter on I’m a Writer But  

By I'm a Writer But | March 7, 2023

Voices from Ukraine

Voices from Ukraine

This Week from the Emergence Magazine Podcast

By Emergence Magazine | March 7, 2023

Schopenhauer: Pessimist or Secretly Hopeful?

Schopenhauer: Pessimist or Secretly Hopeful?

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 7, 2023

Craig Seligman on Doris Fish, the Rise of Drag and Why Ron DeSantis Should Dress Up as a Woman

Craig Seligman on Doris Fish, the Rise of Drag and Why Ron DeSantis Should Dress Up as a Woman

In Conversation with Andrew Keen on Keen On

By Keen On | March 7, 2023

Pointing in the Direction of Truth: Jai Chakrabarti on Crafting Endings

Pointing in the Direction of Truth: Jai Chakrabarti on Crafting Endings

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 6, 2023

Cheryl A. Head: How We Can Reclaim Our Stories Through Fiction

Cheryl A. Head: How We Can Reclaim Our Stories Through Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 6, 2023

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    • Arturo Perez Reverte's Sherlock Holmes Pastiche The Final Problem Is Coming to Netflix!September 14, 2026 by Olivia Rutigliano
    • 10 New Books Coming Out This WeekSeptember 14, 2026 by CrimeReads
    • Crime and the City: The AzoresSeptember 14, 2026 by Paul French
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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