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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Features
How Does the Great Dolly Parton Write a Song?
Lydia R. Hamessley on Memory, Musical Storytelling, and "Coat of Many Colors"
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Lydia R. Hamessley
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How Audre Lorde's Experience of Breast Cancer Fortified Her Revolutionary Politics
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Tracy K. Smith
| October 14, 2020
Voting Isn't Guaranteed—Black Women Know That Better Than Anyone
Martha S. Jones in Conversation with Andrew Keen on
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Keen On
| October 14, 2020
On Jewish Community and Identity in Jacques Derrida's Algeria
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A Young John Berryman Writes R.P. Blackmur About His Favorite Poets
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John Berryman
| October 14, 2020
Emily X.R. Pan on How Writing a Short Story Can Lead to a Better Novel
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Insider or Outsider? A Brief History of the Classification of Black Music
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Cinelle Barnes on Compiling an Anthology of the South
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the
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Journalist Nomi Prins Explains That $7 Trillion the Fed Magically Created
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How a Young John Brown Became the Legendary Militant Abolitionist
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H.W. Brands
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Rumaan Alam Recommends the Music of
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| October 14, 2020
Burlesque Star Immodesty Blaize on Starting Her Career in Soho
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Poets and Revolutionaries: On Grappling with Lebanon's Descent to War
From Kim Ghattas's Cundill Prize-Nominated
Black Wave
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Kim Ghattas
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"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"