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Why Center Historical Fiction on a Real-Life Person?

Why Center Historical Fiction on a Real-Life Person?

Tania Bayard in Conversation with C. P. Lesley on the New Books Network

By New Books Network | March 18, 2022

<em>At the End of the World, Turn Left</em> by Zhanna Slor, Read by Zura Johnson and Caitlin Kelly

At the End of the World, Turn Left by Zhanna Slor, Read by Zura Johnson and Caitlin Kelly

Literary Suspense in Two Voices

By Behind the Mic | March 18, 2022

What Do We Mean When We Call a Character a “Monster”?

What Do We Mean When We Call a Character a “Monster”?

For Jess Zimmerman, One Reader’s Villain is Another’s Hero

By Jess Zimmerman | March 17, 2022

How <em>Buffy the Vampire Slayer</em> Mishandled Characters of Color

How Buffy the Vampire Slayer Mishandled Characters of Color

“Where the possibilities are endless, why wouldn’t you seize that opportunity?”

By Evan Katz | March 17, 2022

Just How Much is Jane Austen a Precursor to <em>Bridgerton</em>?

Just How Much is Jane Austen a Precursor to Bridgerton?

Robert Morrison on Race, Sex, and Violence in the Regency Era

By Robert Morrison | March 17, 2022

What an Ecofeminist Pioneer Can Teach Us Today

What an Ecofeminist Pioneer Can Teach Us Today

On Françoise d’Eaubonne's Radical Vision

By Myriam Bahaffou and Julie Gorecki | March 17, 2022

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Hillary Jordan and Cheryl Lu-Lien Tan on the Freedom of Writing Anonymously

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Scott Anderson on What Russia’s Wars in Chechnya Tell Us about the Invasion of Ukraine

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Why Moonstruck Made Marie-Helene Bertino Proud to Be Italian-American

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“Persistence of Vision: Gwendolyn Brooks”

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A Poem by Solmaz Sharif

By Solmaz Sharif | March 17, 2022

Telling the Stories of the Wrongly Incarcerated

Telling the Stories of the Wrongly Incarcerated

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WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

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The Life and Death of a Cutting Edge Literary Journal, c. 1989

The Life and Death of a Cutting Edge Literary Journal, c. 1989

Kurt Hollander on Publishing The Portable Lower East Side

By Kurt Hollander | March 17, 2022

On Apocalypse Art, Climate Divination, and <em>The Blob</em>

On Apocalypse Art, Climate Divination, and The Blob

Molly Gallentine's Summer of Professionally Contemplating the End of Humanity

By Molly Gallentine | March 17, 2022

Liz Scheier on Comedy as a Survival Skill

Liz Scheier on Comedy as a Survival Skill

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 17, 2022

On the Second Battle of Kiev, 1943

On the Second Battle of Kiev, 1943

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    • Lev AC Rosen on POV, Capers, and Creating a Messy Queer Detective NovelJune 11, 2026 by Alex Dueben
    • Sarah Vaughan on How Shakespeare's Plays Shaped Her Suspense NovelJune 11, 2026 by Sarah Vaughan
    • Kate Khavari on the Narrative Potential of Putting Sleuths in Unfamiliar SettingsJune 11, 2026 by Kate Khavari
    • Whistler
    • The Best Reviewed Books of the Week
    • "A rare phenomenon in contemporary fiction a novel both majestic and intimate original and masterful…"
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