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Every Coming-of-Age Story is an Apocalypse Story

Every Coming-of-Age Story is an Apocalypse Story

Andrew DeYoung on Despair and Hope in the Edgelands of Adulthood

By Andrew DeYoung | March 21, 2022

A Call to Southern Writers: Register People to Vote at Literary Events

A Call to Southern Writers: Register People to Vote at Literary Events

Read an Open Letter from Writers for Democratic Action

By Belle Boggs, Robin Davidson and Jill McCorkle | March 21, 2022

The Subtle Authoritarianism of Southeast Asia’s Wealthiest City-State

The Subtle Authoritarianism of Southeast Asia’s Wealthiest City-State

Jeevan Vasagar on Singapore’s Ongoing Suppression Dissent

By Jeevan Vasagar | March 21, 2022

On the Fever Dream Brilliance of Harry Crews

On the Fever Dream Brilliance of Harry Crews

Kevin Wilson Considers What It Means to Be a Southern Writer

By Kevin Wilson | March 21, 2022

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

Monique Roffey on Creating a Feminist Version of a Male Fantasy

By Monique Roffey | March 21, 2022

The Revelation of Reading Toni Morrison in Moscow

The Revelation of Reading Toni Morrison in Moscow

Kristina Gorcheva-Newberry on the World Expanding Experience of The Bluest Eye

By Kristina Gorcheva-Newberry | March 21, 2022

Best Reviewed
Books of the Week

Why Having a Baby Led Evie Wyld to More Perilous Stories

By First Draft: A Dialogue on Writing | March 21, 2022

Melanie Challenger: Human Exceptionalism is Devastating Life on Earth

By Emergence Magazine | March 21, 2022

What Can Superhero Stories Do For Us In 2022?

By Peter Kalu | March 21, 2022

When Mark Twain Tried to Start a Publishing Company (and Epically Failed)

When Mark Twain Tried to Start a Publishing Company (and Epically Failed)

From The History of Literature Podcast with Jacke Wilson

By History of Literature | March 21, 2022

Melissa Febos on <em>Frankenstein</em>, Elissa Washuta, and <em>The Velveteen Rabbit</em>

Melissa Febos on Frankenstein, Elissa Washuta, and The Velveteen Rabbit

Rapid-fire Book Recs From the Author of Body Work

By Book Marks | March 21, 2022

<em>The Parted Earth</em> by Anjali Enjeti, Read by Deepti Gupta

The Parted Earth by Anjali Enjeti, Read by Deepti Gupta

Incredible Audie Award-Winning Listening

By Behind the Mic | March 21, 2022

The Many Forms of Love in <em>Pachinko</em>

The Many Forms of Love in Pachinko

Juhea Kim on the Series Adaptation of Min Jin Lee's Bestselling Novel

By Juhea Kim | March 18, 2022

Neoliberal Pieties and Business School Empathy Aren’t Getting Us Out of This Mess

Neoliberal Pieties and Business School Empathy Aren’t Getting Us Out of This Mess

Andrew Keen on Our Ill-Placed Faith in a Transformative Free Market

By Andrew Keen | March 18, 2022

Garth Greenwell on Writing Fiction like a Poet

Garth Greenwell on Writing Fiction like a Poet

"I did, in a weird way, write a novel like a poem."

By Garth Greenwell | March 18, 2022

The Essential Value—and Deep Cost—of Reporting From War

The Essential Value—and Deep Cost—of Reporting From War

Dan O’Brien on His Friendship With Conflict Journalist Paul Watson

By Dan O'Brien | March 18, 2022

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    • Love Thy Neighbor, and Watch Thy Back: Why Neighbors Kill Each Other in Literature (and Life)October 21, 2025 by Chuck Storla
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