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Defending My Gender: Illustrating a Very Bad Therapy Session

Defending My Gender: Illustrating a Very Bad Therapy Session

From Emma Grove’s New Memoir The Third Person

By Emma Grove | May 25, 2022

Should We Celebrate Technology Which Enables the Disruption of Local Government?

Should We Celebrate Technology Which Enables the Disruption of Local Government?

Joshua Browder in Conversation with Andrew Keen

By Keen On | May 25, 2022

Morgan Talty on Indigenous Literature, Penobscot Culture, and the Villain of Colonialism

Morgan Talty on Indigenous Literature, Penobscot Culture, and the Villain of Colonialism

In Conversation with Jordan Kisner on Thresholds

By Thresholds | May 25, 2022

Danielle Vitalis Reads from Candice Carty-Williams’ New Novel, <em>People Person</em>

Danielle Vitalis Reads from Candice Carty-Williams’ New Novel, People Person

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | May 25, 2022

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

Kathryn Miles on the Emotional Toll of Investigating Tragedies—and Why She Carries on

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 25, 2022

How to Make American Capitalism Moral (Or, At Least, Try To)

How to Make American Capitalism Moral (Or, At Least, Try To)

Dov Seidman in Conversation with Andrew Keen

By Keen On | May 25, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Why Work Sometimes Does, Indeed, Love Us Back

By Keen On | May 25, 2022

Remembering (And Mourning) The Golden Age of Hollywood and Washington D.C.

By Keen On | May 25, 2022

Different Kinds of Fruit by Kyle Lukoff, Read by Cassandra Morris

By Behind the Mic | May 25, 2022

Why Delaware Is At the Root of Everything That Is Wrong With America

Why Delaware Is At the Root of Everything That Is Wrong With America

Hal Weitzman in Conversation with Andrew Keen

By Keen On | May 25, 2022

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Elif Batuman on the Need For Novels (And When Male Writers Describe Oral Sex)

Kristin Iversen Talks to the author of Either/Or

By Kristin Iversen | May 24, 2022

Looking for Answers After the Murder of a Dear Friend and Little Brother

Looking for Answers After the Murder of a Dear Friend and Little Brother

Ben Westhoff on Frustration, Grief, and Questions in the Wake of a Young Black Man's Death

By Ben Westhoff | May 24, 2022

Jen Silverman on Re-reading, Making a Tarot Deck, and Other Kinds of Escape

Jen Silverman on Re-reading, Making a Tarot Deck, and Other Kinds of Escape

“I can feel in my bones when a book and a person would match.”

By Literary Hub | May 24, 2022

Omer Friedlander and Joshua Henkin on Writing with a Sense of Place

Omer Friedlander and Joshua Henkin on Writing with a Sense of Place

“When you find the right detail ... it comes to life.”

By Literary Hub | May 24, 2022

Christian J. Collier on Chasing Obsessions and Crafting Poetry as Film Directing

Christian J. Collier on Chasing Obsessions and Crafting Poetry as Film Directing

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | May 24, 2022

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

How Virginia Woolf and J.A. Baker Helped Me Write a Trans Memoir

Diana Goetsch: “These books became my teachers.”

By Diana Goetsch | May 24, 2022

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Page 433 of 1227
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    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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