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Isabella Hammad: The Idea of Apolitical Art is Very Political

Isabella Hammad: The Idea of Apolitical Art is Very Political

The Author of Enter Ghost in Conversation With Olivia Watson

By Olivia Watson | June 26, 2023

Literature in the Bardo: Tenzin Dickie on the Past, Present, and Future of the Tibetan Essay

Literature in the Bardo: Tenzin Dickie on the Past, Present, and Future of the Tibetan Essay

“The essay—as act of truth—changes not just the writer but also the reader.”

By Tenzin Dickie | June 26, 2023

R.K. Russell on Being Black and Bisexual in the National Football League

R.K. Russell on Being Black and Bisexual in the National Football League

In Conversation with Andrew Keen on Keen On

By Keen On | June 26, 2023

Jackson Lears on the American Pursuit of Vitality From Walt Whitman to Donald Trump

Jackson Lears on the American Pursuit of Vitality From Walt Whitman to Donald Trump

In Conversation with Andrew Keen on Keen On

By Keen On | June 26, 2023

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | June 26, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

Michelle Brafman on Love Addiction as Fuel for Plot

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 26, 2023

Best Reviewed
Books of the Week

  • Ghost-Eye
  • Trash!: A Garbageman's Story
  • As If
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  • Radical Duke: How One Aristocrat-And the American Revolution-Transformed Britain
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Revisiting The Graduate: Is It Outdated?

By History of Literature | June 26, 2023

Jason Del Rey on the Amazon vs. Walmart War For Our Wallets, Bodies, and Souls

By Keen On | June 26, 2023

Garrett Neiman on Uprooting the Old Boy’s Club in Order to Transform America

By Keen On | June 26, 2023

Against the Cynicism Cycle: Why TV Could Do with Less Moral Grayness

Against the Cynicism Cycle: Why TV Could Do with Less Moral Grayness

Noah Ciubotaru Wonders if We’ve Given Antihero Stories Too Much Credit

By Noah Ciubotaru | June 23, 2023

Jessie Gaynor on Finding the <em>Why</em>

Jessie Gaynor on Finding the Why

“A love of the micro need not preclude attention to the macro.”

By Jessie Gaynor | June 23, 2023

Between Fear and Resignation: How German Writers Reacted to Hitler’s Rise

Between Fear and Resignation: How German Writers Reacted to Hitler’s Rise

Uwe Wittstock on Intellectual Suppression in the Early Days of Nazi Terror

By Uwe Wittstock | June 23, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Lorrie Moore, K Patrick, Alexander Stille, and More

By Book Marks | June 23, 2023

What Vera Mutafchieva’s <em>The Case of Cem</em> Tells Us About Europe’s Past and Present

What Vera Mutafchieva’s The Case of Cem Tells Us About Europe’s Past and Present

Angela Rodel on Translating a 20th-Century Bulgarian Classic

By Angela Rodel | June 23, 2023

Beyond the Road Not Taken: <em>Past Lives</em> is a Love Story of Thoughtful Restraint

Beyond the Road Not Taken: Past Lives is a Love Story of Thoughtful Restraint

Olivia Rutigliano Reviews Celine Song's "Devastatingly Subtle" New Film

By Olivia Rutigliano | June 23, 2023

More Than A Children’s Story: <em>The Velveteen Rabbit</em> At 100

More Than A Children’s Story: The Velveteen Rabbit At 100

Lisa Rowe Fraustino on the Enduring Relevance of Margery Williams’s Most Famous Book

By Lisa Rowe Fraustino | June 23, 2023

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    • Keith Roysdon on the Genius of Rod Serling's Forgotten Suspense Radio ShowJune 25, 2026 by Keith Roysdon
    • How the Manson Murders and Dominique Dunne Case Transformed LA True CrimeJune 25, 2026 by Naomi Kaye
    • Tomes That Teach: Jonelle Patrick on Learning the Past Through Historical FictionJune 25, 2026 by Jonelle Patrick
    • Ghost-Eye
    • The Best Reviewed Books of the Week
    • "Strikingly em Ghost-Eye em has none of the eerie mood of a Gothic novel or…"
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