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Arthur C. Clarke's Scientific Romances Eschew Spectacle for Dumbstruck Wonder

Arthur C. Clarke's Scientific Romances Eschew Spectacle for Dumbstruck Wonder

John Clute on Rendezvous with Rama

By John Clute | July 23, 2020

On Exploiting the Labor of a Dear Friend, Who is Also a Poet

On Exploiting the Labor of a Dear Friend, Who is Also a Poet

Rebecca Wolff on Publishing the Poetry of Catherine Wagner

By Rebecca Wolff | July 23, 2020

How John Steinbeck's Final Novel Grappled With Immigration and Morality

How John Steinbeck's Final Novel Grappled With Immigration and Morality

When White Privilege Interrogates Itself in Literature

By Tobias Carroll | July 22, 2020

A Genealogy of Twins: On Identity and Projected Lives

A Genealogy of Twins: On Identity and Projected Lives

Larry Watson on Family and Arriving at the Crux of the Story

By Larry Watson | July 22, 2020

A Love Letter to Developmental Editors

A Love Letter to Developmental Editors

R.L. Maizes on a Lesser-Known Corner of Publishing

By R.L. Maizes | July 22, 2020

To Be the Poet of Troy: <br>An Interview with Mosab Abu Toha by Philip Metres

To Be the Poet of Troy:
An Interview with Mosab Abu Toha by Philip Metres

On Starting the Edward Said Library in the Gaza Strip

By Philip Metres | July 22, 2020

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Remembering Australian Novelist Elizabeth Harrower

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Rumaan Alam and Jameson Fitzpatrick on Sex, Poetry, and Textiles

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On the Biggest Collection of Fantasy Tales Since WWII

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How I Cured My Writer's Block With Techno

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Stan Parish on the Long Nights That Help Him Work

By Stan Parish | July 21, 2020

Five Japanese Authors Share Their Favorite Murakami Short Stories

Five Japanese Authors Share Their Favorite Murakami Short Stories

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By David Karashima | July 20, 2020

On John Berger and Writing As an <br>Act of Distancing

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Guy Gunaratne at the Intersection of Isolation and Hope

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How to Write a Timely Novel in a World That Won't Stop Changing

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David James Poissant on Capturing a Moment as It Passes

By David James Poissant | July 20, 2020

The Tenacious Constancy of<br> <em>The Merchant of Prato</em>

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Charles Nicholl on Iris Origo and Her "Modern Classic"

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When an Iconic Artist is Claimed By Both the Left and the Right

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