Literary Hub » Craft and Criticism

Jhumpa Lahiri on Michael F. Moore’s Translation of Alessandro Manzoni’s <em>The Betrothed</em>

Jhumpa Lahiri on Michael F. Moore’s Translation of Alessandro Manzoni’s The Betrothed

“The fruit of the union between an author and a translator is what enables literature to proliferate and seduce readers.”

By Jhumpa Lahiri | September 13, 2022

Was It Ever Possible For One Person To Read Every Book Ever Written (in English)?

Was It Ever Possible For One Person To Read Every Book Ever Written (in English)?

Randall Munroe Provides a Serious Answer To a Very Hypothetical Literary Question

By Randall Munroe | September 13, 2022

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Featuring A.M. Homes, Hua Hsu, Talia Lakshmi Kolluri, and More!

By Teddy Wayne | September 13, 2022

Naming What Can Be Lost: Matthew Zapruder on Poems for Dire Times

Naming What Can Be Lost: Matthew Zapruder on Poems for Dire Times

“The greatest poems demand change. Maybe we need to change to meet them.”

By Matthew Zapruder | September 13, 2022

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Ling Ma on Patterns of Return and the Ways Speculative Fiction Helps Illuminate Real Life

Jane Ciabattari Talks to the Author of Bliss Montage

By Jane Ciabattari | September 13, 2022

Chantal V. Johnson on Letting the Reader Be Smarter Than Her Character

Chantal V. Johnson on Letting the Reader Be Smarter Than Her Character

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | September 13, 2022

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Deforming Medium: A Reading List of Experimental Points of View

By Jonathan Dee | September 13, 2022

24 glorious new books to welcome into the world today.

By Katie Yee | September 13, 2022

How Seriously Should We Consider the January 6 Insurrection As a Threat to the American Republic?

By Keen On | September 13, 2022

Why World War II Remains So Seductive to Novelists For Writing About Good and Evil

Why World War II Remains So Seductive to Novelists For Writing About Good and Evil

Kristin Beck in Conversation with Andrew Keen on Keen On

By Keen On | September 13, 2022

How Writers Can Use Both Memory and Forgetting to Improve Their Work

How Writers Can Use Both Memory and Forgetting to Improve Their Work

Lisa Genova in Conversation with Andrew Keen on Keen On

By Keen On | September 13, 2022

Introducing <em>The Writers Institute</em>, a Deep-Dive Into the Audio Archives of the New York State Writers Institute

Introducing The Writers Institute, a Deep-Dive Into the Audio Archives of the New York State Writers Institute

A New Podcast From Adam Colman and the New York State Writers Institute at the University at Albany

By The Writers Institute | September 13, 2022

“I hunt and fish because it helps my writing.” Some Very Specific Writing Advice from Jim Harrison

“I hunt and fish because it helps my writing.” Some Very Specific Writing Advice from Jim Harrison

From the The Search for the Genuine: Selected Nonfiction, 1970-2015

By Jim Harrison | September 12, 2022

Five Writers on How Writing with Creative Constraints Unlocked Their Projects

Five Writers on How Writing with Creative Constraints Unlocked Their Projects

From Dashiel Carrera, Matthew Vollmer, Matthew Tomkinson, Julie Carr, and Jean Marc Ah-Sen

By Dashiel Carrera | September 12, 2022

On Muriel Spark’s Complicated Balancing of Writing and Motherhood

On Muriel Spark’s Complicated Balancing of Writing and Motherhood

Begoña Gómez Urzaiz Considers the Competing Demands of Career and Childcare

By Begoña Gómez Urzaiz | September 12, 2022

Heroes or Traitors? Writing the Story of the Saint Patrick’s Battalion in the Mexican-American War

Heroes or Traitors? Writing the Story of the Saint Patrick’s Battalion in the Mexican-American War

Reyna Grande on the Little Known Tale of Mexican—and American—History

By Reyna Grande | September 12, 2022

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