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“Secrets Really Power a Book.” A Conversation with Steven Schwartz

“Secrets Really Power a Book.” A Conversation with Steven Schwartz

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 7, 2022

Is <em>Wonder Boys</em> the Best-Ever Onscreen Depiction of a Writer?

Is Wonder Boys the Best-Ever Onscreen Depiction of a Writer?

Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel

By Ryan Chapman | February 4, 2022

EXCLUSIVE: Watch Joshua Bennett Discuss A.R. Ammons’s poem “Cascadilla Falls”

EXCLUSIVE: Watch Joshua Bennett Discuss A.R. Ammons’s poem “Cascadilla Falls”

From Season Three of Poetry in America

By The Virtual Book Channel | February 4, 2022

On Taking Writing Lessons from Quantum Physics

On Taking Writing Lessons from Quantum Physics

Hisham Bustani on a Single Story's Many Possible Worlds

By Hisham Bustani | February 4, 2022

The Lion Speaks: On the Potency of the Epistolary Form

The Lion Speaks: On the Potency of the Epistolary Form

Daniel Black Considers Letters and Linguistic Freedom

By Daniel Black | February 4, 2022

Michael L. Walker on the Emotional and Physical Experience of Doing Time in Jail

Michael L. Walker on the Emotional and Physical Experience of Doing Time in Jail

In Conversation with Andrew Keen on Keen On

By Keen On | February 4, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Interview with an Indie Press: Beacon Press

By Corinne Segal | February 4, 2022

Amor Towles on Bringing a Historical Setting to Life

By Amor Towles | February 4, 2022

“When You Feel Things, You Have to Talk About Them.” Emmelie Prophète on Writing About Family

By Otherppl with Brad Listi | February 4, 2022

Dave Pell on the Maddening Hell That Was the 2020 News Cycle

Dave Pell on the Maddening Hell That Was the 2020 News Cycle

In Conversation with Andrew Keen on Keen On

By Keen On | February 4, 2022

Lyndsey Ellis on Writing About the St. Louis Community After Ferguson

Lyndsey Ellis on Writing About the St. Louis Community After Ferguson

In Conversation with G.P. Gottlieb on the New Books Network

By New Books Network | February 4, 2022

Davina Porter on the Delights and Challenges of Narrating the <em>Outlander</em> Series

Davina Porter on the Delights and Challenges of Narrating the Outlander Series

The Voice of Diana Gabaldon

By Behind the Mic | February 4, 2022

Elisa New and Richard Blanco on the Diversity of American Poetry

Elisa New and Richard Blanco on the Diversity of American Poetry

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | February 4, 2022

How to Read a Play as a Manual for Novel Writing

How to Read a Play as a Manual for Novel Writing

Julia May Jonas on Tempo, Audience, and More

By Julia May Jonas | February 3, 2022

Peter Ho Davies on Why We Fear Revision (and How to Get Over It)

Peter Ho Davies on Why We Fear Revision (and How to Get Over It)

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 3, 2022

On the Moral and Metaphysical Significance of Aloneness

On the Moral and Metaphysical Significance of Aloneness

Sumana Roy Considers Solitary Ways of Being

By Sumana Roy | February 3, 2022

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    • Crime and the City: OsakaFebruary 2, 2026 by Paul French
    • The Killer Women: How a Podcast Built a Community from IsolationFebruary 2, 2026 by Danielle Girard
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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