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Craft and Criticism
“Secrets Really Power a Book.” A Conversation with Steven Schwartz
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| February 7, 2022
Is
Wonder Boys
the Best-Ever Onscreen Depiction of a Writer?
Ryan Chapman Revisits the Brilliance of the 2000 Adaptation of Michael Chabon’s Novel
By
Ryan Chapman
| February 4, 2022
EXCLUSIVE: Watch Joshua Bennett Discuss A.R. Ammons’s poem “Cascadilla Falls”
From Season Three of
Poetry in America
By
The Virtual Book Channel
| February 4, 2022
On Taking Writing Lessons from Quantum Physics
Hisham Bustani on a Single Story's Many Possible Worlds
By
Hisham Bustani
| February 4, 2022
The Lion Speaks: On the Potency of the Epistolary Form
Daniel Black Considers Letters and Linguistic Freedom
By
Daniel Black
| February 4, 2022
Michael L. Walker on the Emotional and Physical Experience of Doing Time in Jail
In Conversation with Andrew Keen on
Keen On
By
Keen On
| February 4, 2022
Best Reviewed
Books of the Week
Interview with an Indie Press: Beacon Press
By
Corinne Segal
| February 4, 2022
Amor Towles on Bringing a Historical Setting to Life
By
Amor Towles
| February 4, 2022
“When You Feel Things, You Have to Talk About Them.” Emmelie Prophète on Writing About Family
By
Otherppl with Brad Listi
| February 4, 2022
Dave Pell on the Maddening Hell That Was the 2020 News Cycle
In Conversation with Andrew Keen on
Keen On
By
Keen On
| February 4, 2022
Lyndsey Ellis on Writing About the St. Louis Community After Ferguson
In Conversation with G.P. Gottlieb on the
New Books Network
By
New Books Network
| February 4, 2022
Davina Porter on the Delights and Challenges of Narrating the
Outlander
Series
The Voice of Diana Gabaldon
By
Behind the Mic
| February 4, 2022
Elisa New and Richard Blanco on the Diversity of American Poetry
In Conversation with Mitchell Kaplan on
The Literary Life
Podcast
By
The Literary Life
| February 4, 2022
How to Read a Play as a Manual for Novel Writing
Julia May Jonas on Tempo, Audience, and More
By
Julia May Jonas
| February 3, 2022
Peter Ho Davies on Why We Fear Revision (and How to Get Over It)
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| February 3, 2022
On the Moral and Metaphysical Significance of Aloneness
Sumana Roy Considers Solitary Ways of Being
By
Sumana Roy
| February 3, 2022
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February 2, 2026
by
CrimeReads
Crime and the City: Osaka
February 2, 2026
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Paul French
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February 2, 2026
by
Danielle Girard
The Best Reviewed Books of the Month
"Poignant Tender The final line of em The Rest of Our Lives em is by…"