Literary Hub » Craft and Criticism

Can a Critic of “Wokeness” Really Be Genuinely Liberal or Progressive?

Can a Critic of “Wokeness” Really Be Genuinely Liberal or Progressive?

William Deresiewicz in Conversation with Andrew Keen on Keen On

By Keen On | August 24, 2022

Foz Meadows and Alexandra Rowland on Falling in Love with the Romance Genre

Foz Meadows and Alexandra Rowland on Falling in Love with the Romance Genre

This Week from Tor Presents: Voyage Into Genre

By Tor Presents: Voyage into Genre | August 24, 2022

Reading Between the Data: Revealing the Hidden Stories of Race, Gender, and Sexuality in the US Census

Reading Between the Data: Revealing the Hidden Stories of Race, Gender, and Sexuality in the US Census

Dan Bouk in Conversation with Andrew Keen

By Keen On | August 24, 2022

Berlin: Life and Death in the City at the Center of the 20th-Century World

Berlin: Life and Death in the City at the Center of the 20th-Century World

Sinclair McKay in Conversation with Andrew Keen on Keen On

By Keen On | August 24, 2022

Jason Chin on Developing Emotional Connections with Places in Order to Illustrate Them

Jason Chin on Developing Emotional Connections with Places in Order to Illustrate Them

This Week on the NewberyTart Podcast

By NewberyTart | August 24, 2022

What Makes a Book <em>Actually</em> Scary?

What Makes a Book Actually Scary?

Explore Genre This Season on Literary Disco

By Literary Disco | August 23, 2022

Best Reviewed
Books of the Week

20 new books to bite into this week.

By Katie Yee | August 23, 2022

I Really Didn’t Want to Write This Promotional Essay Tied to My Book Release

By Lauren Acampora | August 23, 2022

WATCH: Elizabeth Crane Talks to Leslie Jamison About Divorce, Transformation, and More

By The Virtual Book Channel | August 23, 2022

Reading Proust in a Black and White World

Reading Proust in a Black and White World

On María Alvarez’s New Documentary, Le Temps Perdu

By Catherine Nichols | August 23, 2022

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

Forget Politics: Why a Novelist’s First Priority Is To Tell a Good Story

Jean Hanff Korelitz in Conversation with Andrew Keen on Keen On

By Keen On | August 23, 2022

Shane Kowalski on Creating the Comedic Pivots in His Work

Shane Kowalski on Creating the Comedic Pivots in His Work

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But

By I'm a Writer But | August 23, 2022

Whose Lives Can We Plunder? Or: How to Base a Character on Yourself

Whose Lives Can We Plunder? Or: How to Base a Character on Yourself

Jincy Willett on Writing From Life Without Betraying Anyone

By Jincy Willett | August 23, 2022

Emotional Expression Is as Scary and Important as You Think It Is

Emotional Expression Is as Scary and Important as You Think It Is

Erica Jong and Lilly Dancyger Guest on the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | August 23, 2022

Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release

Tom Scharpling on Legacy, Being Forgotten, and His Latest Paperback Release

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | August 23, 2022

Marguerite Duras on Writing the Screenplay for Alain Resnais’s <em>Hiroshima Mon Amour</em>

Marguerite Duras on Writing the Screenplay for Alain Resnais’s Hiroshima Mon Amour

“We’re afraid. But ultimately, isn’t that necessary from time to time? Especially in film?”

By Marguerite Duras | August 22, 2022

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