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Everything Dies Baby, That’s a Fact: On the Elusive Train Dreams of Claire Denis and Mike Brodie

Everything Dies Baby, That’s a Fact: On the Elusive Train Dreams of Claire Denis and Mike Brodie

“Most memories die and most objects are lost, many by design.”

By Drew Johnson | September 30, 2022

Some Predictions For Who (Should) Win the 2022 Nobel Prize for Literature

Some Predictions For Who (Should) Win the 2022 Nobel Prize for Literature

Twelve Writers Who Have a Shot

By Lavanya Krishnan and Sandeep Bethanabhotla | September 30, 2022

<em>The Rings of Power</em>: Great Television or Deflating Entry to the Tolkien Canon?

The Rings of Power: Great Television or Deflating Entry to the Tolkien Canon?

With Episode 6, Our Intrepid Guides—a Tolkien Devotee and a Fantasy Philistine—Find Themselves Divided

By Jenna Kass and Dylan Roth | September 30, 2022

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

Also, Don’t Organize Your Bookshelves!

By Literary Hub | September 30, 2022

What’s the Point of a Prequel When We All Know Things End Badly?

What’s the Point of a Prequel When We All Know Things End Badly?

Matthew Redmond on the Reading Lessons of Better Call Saul and House of the Dragon

By Matthew Redmond | September 30, 2022

What Should You Read Next? Here Are the Best Reviewed Books of the Month

What Should You Read Next? Here Are the Best Reviewed Books of the Month

Featuring New Titles by Ian McEwan, Maggie O'Farrell, Kate Beaton, Ling Ma, and More

By Book Marks | September 30, 2022

Best Reviewed
Books of the Week

Ibram X. Kendi on Why Our Children Need to Be Told the Stories of Slavery and Colonialism

By The Literary Life | September 30, 2022

George Takei, Philip Kan Gotanda, and Others Discuss Sisters Matsumoto

By Audiobook Break | September 30, 2022

AudioFile’s Best
Audiobooks of September

By Book Marks | September 30, 2022

In Praise of Physical Books: From Symbols of Cultural Capital to... Cultural Relics?

In Praise of Physical Books: From Symbols of Cultural Capital to... Cultural Relics?

George Prochnik on Why Reading Offline Remains Essential

By George Prochnik | September 29, 2022

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Heidi Sopinka on Sartorial Experimentation

By Heidi Sopinka | September 29, 2022

WATCH: Saeed Jones on the Apocalypse as a State of Being

WATCH: Saeed Jones on the Apocalypse as a State of Being

In Conversation with Adam Falkner at Greenlight Bookstore

By The Virtual Book Channel | September 29, 2022

On the Meteoric Rise of “Aunt Elsie,” Beloved Newswoman and Children’s Columnist

On the Meteoric Rise of “Aunt Elsie,” Beloved Newswoman and Children’s Columnist

“I don’t believe in hammering in morals. I just believe in telling children’s stories which will make them happy.”

By Julia Scheeres and Allison Gilbert | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | September 29, 2022

“Let the Bees Tell You.” On the Holy Bible (For Beekeepers) of Buckfast Abbey

“Let the Bees Tell You.” On the Holy Bible (For Beekeepers) of Buckfast Abbey

Allison LaSorda Considers the Unlikely Legacy of a Benedictine Apiarist

By Allison LaSorda | September 29, 2022

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

Sophie Vershbow on the Remnants of Past Careers That Stay with Us

By Sophie Vershbow | September 29, 2022

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    • What to Watch This Weekend: March 6, 2026March 6, 2026 by Dwyer Murphy
    • Kirsten Kaschock Imagines a New Landscape for the GothicMarch 6, 2026 by Kirsten Kaschock
    • A True Crime History of the Los Angeles Central LibraryMarch 6, 2026 by James T. Bartlett
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