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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
The Many Faces of Sylvia Plath
In Focusing Too Much on Her Death, We Miss Her Capacity for Life
By
Kelly Marie Coyne
| October 27, 2017
Jean Rhys Had to Leave Her Home to Truly See It
Gabrielle Bellot on Exile, Otherness, and the Isolation of
a Great 20th-Century Writer
By
Gabrielle Bellot
| October 26, 2017
First-Person Stories of the Body Are Much More Than Clickbait
In Praise of Narrative Medicine
By
M. Sophia Newman
| October 26, 2017
How Kate Tempest Makes "Radical Empathy" More than Just a Buzzword
Her Genre-Defying Works Place Us Directly in the Heads of Others
By
Eleanor Stanford
| October 24, 2017
Currybooks: On Authenticity and Our Expectations of South Asian Writers
Diasporic Writers Have to Play Both Tourist and Tour Guide
By
Naben Ruthnum
| October 23, 2017
How the Oldest Stories Can Give Us the Best Perspective
On War, Troy, and the Slow Time of Classic Literature
By
Veronica Esposito
| October 23, 2017
Best Reviewed
Books of the Week
On Borders, White Space, and Saying the Unsayable
By
Sasha Pimentel
| October 20, 2017
When Climate Change Comes for the Fairy Tale Forest
By
Olivia Campbell
| October 19, 2017
Octavia Butler: The Brutalities of the Past Are All Around This
By
Gabrielle Bellot
| October 17, 2017
14 Classic Works of Literature Hated By Famous Authors
"I got a little bored after a time. I mean, the road seemed to be awfully long."
By
Emily Temple
| October 16, 2017
Cadaverous Yet Blazing: Elizabeth Hardwick's Ode to Bartleby
An "Incurious Ghost" Who Would Really Prefer Not To
By
Elizabeth Hardwick
| October 13, 2017
The New Scream Queens
Four Story Collections at the Intersection of Feminism and Horror
By
Nathan Scott McNamara
| October 13, 2017
The Hidden Horror Inside Jane Austen's Novels of Love
The Call is Coming From Inside the Country Estate
By
Mikaella Clements
| October 13, 2017
Why the Line Between Fact and Fiction is Even Blurrier Online
"The Internet Offers a Secret Life to Everybody"
By
Andrew O'Hagan
| October 12, 2017
Jane Austen's
Emma
Was Basically Torn Apart in Workshop
On the Early Reception of a Classic Novel, on Both Sides of the Atlantic
By
Juliette Wells
| October 11, 2017
The Little-Known Friendships of Iconic Women Writers
Why Have They Been Mythologized as Solitary Eccentrics or Isolated Geniuses?
By
Emily Midorikawa and Emma Sweeney
| October 11, 2017
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I’m 13 Years Late to
The Amazing Spider-Man
and I Have Thoughts
November 7, 2025
by
Olivia Rutigliano
The Best Psychological Thrillers of November 2025
November 7, 2025
by
Molly Odintz
From Spies and Matrons to
Miami Vice
: A Short History of Women in Law Enforcement
November 7, 2025
by
Alie Dumas Heidt
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"