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Craft and Advice
In Search of Obscure Words for Even Rarer Feelings
The More Emotions We Can Name, The Better Off We'll Be
By
Tiffany Watt Smith
| June 6, 2016
Escaping the Self-Critical Eye for the Sake of My Daughter
Helen Phillips on Body Image, Motherhood, and Owning Your Idiosyncratic Self
By
Helen Phillips
| June 3, 2016
Actually, Criticism
Is
Literature
Writing About the Art of Writing is an Art Unto Itself
By
Jonathan Russell Clark
| June 2, 2016
How to Write Through Dreams
Luke Carman on Harnessing the Surreal
By
Luke Carman
| June 2, 2016
What to Do When No One Shows Up To Your Reading
Matthew Norman on the embarrassment of confronting an empty room
By
Matthew Norman
| May 31, 2016
On the Pleasures of Plot, and Writing a Bestseller
Miranda Beverly-Whittemore Almost Gave Up on Writing
By
Brian Gresko
| May 27, 2016
Best Reviewed
Books of the Week
The Literary Genius of Kendrick Lamar
By
Mensah Demary
| May 27, 2016
To Break the Story, You Must Break the Status Quo
By
Rebecca Solnit
| May 26, 2016
When a Novelist Becomes an Ultramarathoner
By
Ashley Ream
| May 26, 2016
Adapting the Tibetan Book of the Dead: On
Bardo or not Bardo
Ghosts, Prisons, and An Intermediary Void
By
J.T. Mahany
| May 25, 2016
How to Write Fully-Formed Characters in Fiction
"As with place, we need know only just enough of people."
By
Malcolm Mackay
| May 25, 2016
The Suicide Memoir: True Crime, Mystery, and Grief
A Brief Look at a Dark Genre
By
Candace Opper
| May 20, 2016
Reading the Literary City
How Urban Spaces Shape the Books We Read
By
Tobias Carroll
| May 20, 2016
Robin Wasserman: Respect the Power of the Teenage Girl
On Making the Jump from YA to Adult
By
Jason Diamond
| May 19, 2016
The Wilds of Montana Might Be the Scariest Character of All
How London-Based Mystery Writer Karin Salvalaggio Writes Herself Back Home
By
Antonia Malchik
| May 19, 2016
How to Write Deep in the Woods with a Dog By Your Side
Lee Clay Johnson Finds a Post-MFA Writer's Paradise
By
Lee Clay Johnson
| May 16, 2016
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