Literary Hub » Craft and Advice

Christopher Isherwood on What Writers Can Learn from Theater

Christopher Isherwood on What Writers Can Learn from Theater

“The effects are created by means of claustrophobia:
you can’t get out.”

By Christopher Isherwood | November 11, 2022

Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir

Full Disclosure: Meghan J. Ward on Marriage, Motherhood, and Weighing the Truth in Memoir

“How do I honor, or even reclaim, my voice in this story without compromising my relationship with my loved ones?”

By Meghan J. Ward | November 11, 2022

Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader

Nancy Pelosi’s Majority: Matthew Clark Davison’s San Francisco Take on a National Leader

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | November 10, 2022

Writing Grief in Fiction is a Work of Love

Writing Grief in Fiction is a Work of Love

Onyi Nwabineli on Giving Sorrow the Space to Grow and Expand

By Onyi Nwabineli | November 10, 2022

Stuck on Your Novel? Try Baking a Pie!

Stuck on Your Novel? Try Baking a Pie!

Amy Wallen on the Joy of Completing Something Creative

By Amy Wallen | November 10, 2022

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Funny, Fearless, and Unafraid to Fail: Finding Creative Inspiration in Comedy Podcasts

Rebecca Ackermann on Learning to Write to a Soundtrack of Riffing Comedians

By Rebecca Ackermann | November 10, 2022

Best Reviewed
Books of the Week

Sandra Simonds on Piecing Together Poetic Puzzles

By Peter Mishler | November 10, 2022

Live at the Red Ink Series: On Avoidance

By Michele Filgate | November 10, 2022

Alex Marzano-Lesnevich on Gender Identity and Narratives Drawn from the Body

By Thresholds | November 10, 2022

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

On Self-Reflection, Stories, and and What Mirrors Really Tell Us

“The narrative of your present is crafted by the past.”

By Sarah Fawn Montgomery | November 10, 2022

How to Write a Novel with Three of Your Friends

How to Write a Novel with Three of Your Friends

The Writers Behind S.E. Boyd on the High Stakes of Cooperative Fiction Writing

By Kevin Alexander, Joe Keohane, and Alessandra Lusardi | November 9, 2022

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking <em>Bones and All</em> from Page to Screen

The Art of Adaptation: Camille DeAngelis and David Kajganich on Taking Bones and All from Page to Screen

In Conversation at the Inaugural Refocus Film Festival

By Literary Hub | November 9, 2022

Meet the 2022 National Book Award Finalists

Meet the 2022 National Book Award Finalists

Rapid-Fire Interviews with Some of Our Best Writers and Translators

By Emily Temple | November 9, 2022

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

“Let That Dream Die.“ On Watching Tennis and (Actually) Becoming the Best Writer You Can Be

Veronica Roth’s Argument for Embracing the Unknown

By Veronica Roth | November 9, 2022

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

Lynn Steger Strong: “Oh, Shit. I Wrote a Domestic Novel. I’m a Woman. What Did I Do?”

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 9, 2022

Alia Trabucco Zerán on Writing About Women Who Kill

Alia Trabucco Zerán on Writing About Women Who Kill

“Their crimes are a privileged window from which to observe how the very meaning of womanhood has changed over time.”

By Alia Trabucco Zerán | November 9, 2022

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