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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Unlearning the Sunk Cost Fallacy, in Writing and in Love
Hazel Hayes on the Power of Walking Away
By
Hazel Hayes
| October 25, 2021
Notes on Queerness and Camp in Crime Fiction
Tice Cin Examines the Coexistence of Adventure and the Domestic
By
Tice Cin
| October 25, 2021
Mary Gaitskill on Borrowing From Real Life in Writing (and the Dreams That Guided Her)
How the Author of
Veronica
Tries to Honor the World
By
Mary Gaitskill
| October 22, 2021
Finding My Voice Through the Rage of Punk Music
Amy Lee Lillard on the Acceptance and Creativity-Instilling Energy of the Punk Scene
By
Amy Lee Lillard
| October 22, 2021
Craig Davidson on the Secrets Best Left Out of Memoir
"I’d slipped a gear between living a story and making a story."
By
Craig Davidson
| October 22, 2021
Nariman Youssef on Migration, Translation, and the Complexities of the “Mother Tongue”
This Week from
The Common
Podcast
By
The Common
| October 22, 2021
Best Reviewed
Books of the Week
Jennifer Estep on Her Favorite Character of All Time to Write
By
New Books Network
| October 22, 2021
Julia Elliott and DaMaris B. Hill on Writing Rural America
By
Fiction Non Fiction
| October 21, 2021
TaraShea Nesbit on Reckoning With Ghosts, and Returning to the Same Story, Again and Again
By
TaraShea Nesbit
| October 21, 2021
Chris Hedges on Teaching Playwriting in Prison
Writing Exercises, Sincerity, and Amiri Baraka’s
Dutchman
By
Chris Hedges
| October 21, 2021
This 1998 advice from Ursula K. Le Guin about gender-neutral language is still relevant.
By
Vanessa Willoughby
| October 20, 2021
Reading Women
on the Emotional Complexities in Women’s Crime Fiction
This Week from the
Reading Women
Podcast
By
Reading Women
| October 20, 2021
Writing Through Trauma, Past and Present: On the Legacies of Catholic Ireland
Elaine Feeney Considers the Emotional Journey to Her Novel,
As You Were
By
Elaine Feeney
| October 20, 2021
Tiphanie Yanique on Moving Beyond Traditional Hero Narratives
Jane Ciabattari Talks to the Author of
Monster in the Middle
By
Jane Ciabattari
| October 19, 2021
“Cut, Cut, Cut, Until the Spirit Shines Through.” Sarah Ruhl on Craft and Catharsis
The Author of
Smile
in Conversation With Playwright, Beth Henley
By
Beth Henley
| October 19, 2021
Forrest Gander on Grief, Translation, and Sharing Joy in Times of Suffering
In Conversation with Paul Holdengräber on
The Quarantine Tapes
By
The Quarantine Tapes
| October 19, 2021
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Page 153 of 259
10 New Books Coming Out This Week
December 1, 2025
by
CrimeReads
From "Gone Girl" to Tortured Bad Boy: What the New Wave of "Boy" Thriller Titles Tells Us
December 1, 2025
by
Andromeda Romano-Lax
American Crime: The True Story of a Stalking in Kansas
December 1, 2025
by
Corey Mead
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"