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My Louise Bourgeois

My Louise Bourgeois

Siri Hustvedt on the complex, brilliant, contradictory artist

By Siri Hustvedt | December 19, 2016

The Best Children's Books Appeal to All Ages

The Best Children's Books Appeal to All Ages

On Elena Ferrante, Anonymity, and Writing Across Generations

By Gabrielle Bellot | December 16, 2016

Joan Didion's Disaffected Literary Descendants

Joan Didion's Disaffected Literary Descendants

On the New Generation of Wayward Daughter Protagonists

By Katie Dobbs | December 16, 2016

Getting Lost in William Trevor's Private World

Getting Lost in William Trevor's Private World

D. Wystan Owen on the Haunting Intimacy of Trevor's Short Fiction

By D. Wystan Owen | December 16, 2016

Basking in Shirley Hazzard's Pure, Cold Light

Basking in Shirley Hazzard's Pure, Cold Light

Mary Duffy Remembers the Shimmering Crispness of Hazzard's Prose

By Mary Duffy | December 15, 2016

In Praise of Zadie Smith's London

In Praise of Zadie Smith's London

Ten British Writers Find Themselves in NW

By Marta Bausells | December 14, 2016

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

How Nostalgia Corrupts Politics and Pop Culture

By Sean Bernard | December 13, 2016

William Gaddis Occupies Wall Street, Channels a Tween Trump

By John Domini | December 12, 2016

What Counts As Transgender Literature?

By Gabrielle Bellot | December 9, 2016

The Time Mario Puzo Wrote a Takedown of <em>The Paris Review</em>

The Time Mario Puzo Wrote a Takedown of The Paris Review

On The Godfather Author's 1967 Review for Book World

By M. J. Moore | December 9, 2016

How We Write About Work, Then and Now

How We Write About Work, Then and Now

On Dickens, Office Life, and Tales of the Precariat in Contemporary Fiction

By Juliana Broad | December 8, 2016

Hemingway vs. Ken Russell: Or Why You Should Compare Apples to Oranges

Hemingway vs. Ken Russell: Or Why You Should Compare Apples to Oranges

Noah Berlatsky on the Critical Value of Broad Comparisons

By Noah Berlatsky | December 7, 2016

Was Edmund Wilson Just Jealous of <em>Lolita</em>?

Was Edmund Wilson Just Jealous of Lolita?

How a Great American Literary Critic Got it Wrong About a Classic

By Alex Beam | December 6, 2016

César Aira Makes the Impossible Possible

César Aira Makes the Impossible Possible

Mark Haber on the Newly Translated Ema the Captive

By Mark Haber | December 6, 2016

Literature for This Long, Dark Night of America's Soul

Literature for This Long, Dark Night of America's Soul

Scott Esposito Looks to Art for Salvation

By Veronica Esposito | December 5, 2016

Why We Need Revolutionary Poet Faiz Ahmed Faiz More Than Ever

Why We Need Revolutionary Poet Faiz Ahmed Faiz More Than Ever

Rajat Singh on the Tangible Power of Political Poetry

By Rajat Singh | December 5, 2016

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    • Beau L’Amour and Ryan Pote Discuss a Long Legacy of ThrillersJune 17, 2026 by Beau L'Amour
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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