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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
Every Coming-of-Age Story is an Apocalypse Story
Andrew DeYoung on Despair and Hope in the Edgelands of Adulthood
By
Andrew DeYoung
| March 21, 2022
On the Fever Dream Brilliance of Harry Crews
Kevin Wilson Considers What It Means to Be a Southern Writer
By
Kevin Wilson
| March 21, 2022
The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth
Monique Roffey on Creating a Feminist Version of a Male Fantasy
By
Monique Roffey
| March 21, 2022
The Revelation of Reading Toni Morrison in Moscow
Kristina Gorcheva-Newberry on the World Expanding Experience of
The Bluest Eye
By
Kristina Gorcheva-Newberry
| March 21, 2022
Why Having a Baby Led Evie Wyld to More Perilous Stories
In Conversation with Mitzi Rapkin on the
First Draft
Podcast
By
First Draft: A Dialogue on Writing
| March 21, 2022
What Can Superhero Stories Do For Us In 2022?
Peter Kalu on the Origins Stories That Made Him Who He Is
By
Peter Kalu
| March 21, 2022
Best Reviewed
Books of the Week
When Mark Twain Tried to Start a Publishing Company (and Epically Failed)
By
History of Literature
| March 21, 2022
Melissa Febos on
Frankenstein
, Elissa Washuta, and
The Velveteen Rabbit
By
Book Marks
| March 21, 2022
The Many Forms of Love in
Pachinko
By
Juhea Kim
| March 18, 2022
Toward a Literature of Sign Language
Ross Showalter on ASL, Translation, and Deaf Culture
By
Ross Showalter
| March 18, 2022
Writing Lessons from Author-Seductress Extraordinaire Catherine Tramell
As
Basic Instinct
Turns 30, Blake Turck Celebrates an Unlikely Inspiration
By
Blake Turck
| March 18, 2022
Why Romance Needs Its Tropes: A Defense
India Holton on the Joy and Universality of an Oft-Derided Genre Staple
By
India Holton
| March 18, 2022
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring new titles by Elena Ferrante, Susan Straight, Fintan O'Toole, Eloghosa Osunde, and more
By
Book Marks
| March 18, 2022
The Secrets and Silences of
The Golden Bowl
Dinitia Smith on Henry James’s Difficult, Powerful Final Novel
By
Dinitia Smith
| March 18, 2022
Why Center Historical Fiction on a Real-Life Person?
Tania Bayard in Conversation with C. P. Lesley on the
New Books Network
By
New Books Network
| March 18, 2022
The Story Behind Jonathan Franzen’s New Backlist Book Cover Redesigns
Alex Merto, Charlotte Strick, and Jonathan Franzen on a New Look for Old Books
By
Emily Temple
| March 17, 2022
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Page 191 of 343
The Texas Murder Mystery That Launched Skip Hollandsworth Into a Life of Crime Writing
October 28, 2025
by
Skip Hollandsworth
We All Make Deals With the Devil: Five Mysteries that Feature Faustian Bargains
October 28, 2025
by
Thomas Olde Heuvelt
Ellery Adams on the Allure of Psychics and Mediums in Crime Writing
October 28, 2025
by
Ellery Adams
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"