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Tom Verlaine was the Strand’s Best Customer
Booksellers Remember the Coolest Celebrity “Cart Shark” of Them All
February 7, 2023
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Colin Groundwater
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Charmaine Craig on “Working in Miniature” and the Value of Concision
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Miriam Darlington on Why We Need the Wildness of the Great Gray Owl
“She had the most sensitive ears known to humankind. The owl didn’t miss a word.“
February 7, 2023
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How Astronaut Class 8 Broke Racial and Gender Barriers
Meredith Bagby on NASA's Earliest Efforts at Diversity, Equity, and Inclusion
February 7, 2023
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The Ocean’s Awesomeness: Farah Obaidullah on Why Our Lives Depend on Healthy Oceans
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What Oslo’s Future Library Means for Writers and the Written Word
Martin Puchner on the Survival of Culture Throughout the Ages
February 7, 2023
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Ursula Villarreal-Moura on the Magic That Happens in Good Flash Fiction
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Katherine Standefer on the Careful Conversations Required of Writing Memoir
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Rising Up Against Bullshit Healthcare: Sonali Kolhatkar on Why Americans Want a Government Run Health System
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Olivia Colman is your new Miss Havisham.
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Pedro Pascal has pretty good taste in books.
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Viola Davis attains EGOT status with her audiobook win at last night’s Grammys.
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Literary Dispatches from the 2023 Sundance Film Festival
Jihane Bousfiha on
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February 6, 2023
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Laura Warrell on Publishing While Black
“What’s key is not that authors of color talk about race the ‘right’ way, but simply that we’re here.”
February 6, 2023
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Queer Correspondence: On the Radical Potential of Epistolary Poetry
Madeleine Cravens Considers the Poems That Explore the Spaces Between Public and Private
February 6, 2023
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Bedtime Stories From Toni Morrison: Priscilla Gilman on Her Singular Literary Upbringing
The Author of
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February 6, 2023
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“At the Crossroads,” a Poem by Dana Gioia
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February 6, 2023
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On Trump, fascism, and Hannah Arendt’s essay, “Lying in Politics”
Essex Hemphill’s (profane, transgressive, sexy, bold) poetic legacy
Maggie Nelson on Michelle Tea’s
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