TODAY: In 1930, an early literary character licensing agreement is signed by A. A. Milne, granting Stephen Slesinger U.S. and Canadian merchandising rights to the Winnie-the-Pooh works

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Eight ways of looking at Samuel Beckett: J.M. Coetzee imagines Kafka the Professor, and Beckett on a South African beach • How to dig a hole: on the fine art of digging (and other bits of very old wisdom) • One man’s escape from North Korea: Masaji Ishikawa flees totalitarianism under the cover of night • Ursula K. Le Guin does not like being famous (but still has a lot of fun making up stories) • We were mothers, daughters, and lovers: Danielle Jackson digs into the groundbreaking art of Kathleen Collins • Freak, geek, or cool kid? Sam Graham-Felsen on navigating the tribes of high school • When women went blue: Eileen Pollack on the courage of groundbreaking female stand-ups, and the dirty, dirty jokes they told so well •  The best movies start as books: a look ahead at some much anticipated adaptations in 2018 • Sara Paretsky got tired of the vamp or victim portrayal of women in crime fiction, so she went ahead and created the great V.I. Warshawski •  Margaret Atwood in conversation with Andrew O’Hagan and John Freeman • The killer next door: Imagining the dark suburbs of Pittsburgh • 15 books you should read in January • They tried to ban Fahrenheit 451 and replace it with… my book. David Williams on receiving the worst kind of endorsement from a Florida woman • James Han Mattson tries to think like a 14-year-old • Chris Yates reckons with a self-imposed deadline

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The remarkable fairy tales of the late Jenny Diski • A 1953 Chicago Tribune review of a young Ray Bradbury’s most iconic work, Fahrenheit 451, called the book “savage and shockingly prophetic” • Angels a terrifying book, a mixture of poetry and obscenity”: a look back at Denis Johnson’s 1983 debut novel  Jackie Collins Meets Vladimir Nabokov: On A.S. Byatt’s Possession • Matt Margini in The Atlantic on T. C. Boyle’s darkly satirical eco-fictions  • Three of the earliest responses to Julia Alvarez’s unshakable Garcia Girls

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