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What Andrew Sean Greer is reading now and next, from Apeirogon to Booth. | Lit Hub
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Check out the shortlist for the 2022 Cundill History Prize, and the longlist for the 2022 Baillie Gifford Prize for Nonfiction. | The Hub
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Manil Suri reflects on his pursuit to answer life’s Big Questions—using only math. | Lit Hub
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Why is it so difficult to write about (and inhabit) male friendship? Michael Pederson has some thoughts. | Lit Hub
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Robin Wall Kimmerer on the “deep-seated fiction of human exceptionalism” that’s killing our planet. | Lit Hub Climate Change
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Against using metaphors to talk about gentrification. | Lit Hub
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Yiyun Li on complicated friendships real and imagined. | Lit Hub Radio
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Ramzi Fawaz on Thelma & Louise, “queer forms,” and the radical possibilities of queer community. | Lit Hub Politics
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How Clarence Darrow threw his morals to the wind to defend wealthy (and confessed) murderers Leopold and Loeb. | Lit Hub History
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“Fame has been kind to Ian McEwan, but not to his writing.” It’s the five book reviews you need to read this week. | Book Marks
Article continues after advertisementRhian Sasseen considers Henry James’s 1898 novella In the Cage, which follows an unnamed telegram operator in London, from her perspective as a former social media manager. | The Baffler
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Ten years after the release of the cult-classic film, Stephen Chbosky discusses adapting his novel The Perks of Being a Wallflower. | Vanity Fair
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“It’s more my journal than my journal.” Sandra Cisneros talks to Yxta Maya Murray about her new poetry collection. | The New Yorker
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Jeff VanderMeer talks about the lessons he’s learned from rewilding his own yard. | Audubon Magazine
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“Libraries have worked hard to meet their communities where they are.” How the role of libraries has shifted in recent years. | The Conversation
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“Bans increase sales only when they are accompanied by a media blitz.” Connor Goodwin digs into what happens to most banned books. | The Atlantic
Also on Lit Hub: How much foresight do animals have? • How producers conceive of music • Read from Chelsea Martin’s debut novel, Tell Me I’m An Artist
