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Where Does Childhood Wonder Come From—And Why Does it End?

Where Does Childhood Wonder Come From—And Why Does it End?

Frank C. Keil on a Child's View of the World

By Frank C. Keil | March 2, 2022

Who Has the Real Power in Basketball’s Big Money Machine?

Who Has the Real Power in Basketball’s Big Money Machine?

Merl Code Tells It Like It Is in Black Market

By Merl Code | March 2, 2022

Those Who Were Left Behind by Argentina’s “Dirty War”

Those Who Were Left Behind by Argentina’s “Dirty War”

Andrea Yaryura Clark Reconnects With Her Generation in Buenos Aires

By Andrea Yaryura Clark | March 2, 2022

Kathy Gilsinan on the Different Kinds of War We’re Facing Right Now

Kathy Gilsinan on the Different Kinds of War We’re Facing Right Now

In Conversation with Andrew Keen on Keen On

By Keen On | March 2, 2022

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

Watch Bob Odenkirk show Stephen Colbert how he wrote his memoir. (Spoiler: it’s comedy.)

By Walker Caplan | March 1, 2022

Orhan Pamuk, Salman Rushdie, and others sign an open letter condemning Russia’s invasion of Ukraine.

Orhan Pamuk, Salman Rushdie, and others sign an open letter condemning Russia’s invasion of Ukraine.

By Walker Caplan | March 1, 2022

Best Reviewed
Books of the Week

Here are the winners of the 2022 PEN America Literary Awards.

By Eliza Smith | March 1, 2022

On the Ukrainian Poets Who Lived and Died Under Soviet Suppression

By Myroslav Laiuk | March 1, 2022

“When? Where? How?” Margaret Atwood Considers the Burning Questions of the Writing Life

By Margaret Atwood | March 1, 2022

How the Beat Generation Created the Uniform for Disaffected Youth

How the Beat Generation Created the Uniform for Disaffected Youth

Sophie Wilson on the Co-opting of a Counterculture

By Sophie Wilson | March 1, 2022

Experiencing Kenosis in the Poetry of Donne and Shakespeare

Experiencing Kenosis in the Poetry of Donne and Shakespeare

Jason Gots on Awe and Connection in the Church of Art

By Jason Gots | March 1, 2022

Petroleum and Patriarchy: How Art Functions in <em>Written on the Wind</em> and <em>Giant</em>

Petroleum and Patriarchy: How Art Functions in Written on the Wind and Giant

Laura Valenza on the Subversive Power of (Over-the-Top) Artwork

By Laura Valenza | March 1, 2022

Actually, Not Everything is Writing: Sarah Moss on Why She Likes to Knit and Run

Actually, Not Everything is Writing: Sarah Moss on Why She Likes to Knit and Run

“You relax, a psychologist friend observed, by hyperstimulation.”

By Sarah Moss | March 1, 2022

Famous Yet Elusive: On Charles Dickens’s Unstable Reputation

Famous Yet Elusive: On Charles Dickens’s Unstable Reputation

“Even in photographs it looked as if his soul had been ‘pumped out of him.’’

By Robert Douglas-Fairhurst | March 1, 2022

J.D. Dickey on the Tormented Rise of Abolition in Andrew Jackson’s America

J.D. Dickey on the Tormented Rise of Abolition in Andrew Jackson’s America

In Conversation with Andrew Keen on Keen On

By Keen On | March 1, 2022

John Scalzi on Writing a Sci-Fi Novel Based in a Post-Covid World

John Scalzi on Writing a Sci-Fi Novel Based in a Post-Covid World

In Conversation with Andrew Keen on Keen On

By Keen On | March 1, 2022

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