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The Story Behind Jonathan Franzen’s New Backlist Book Cover Redesigns

The Story Behind Jonathan Franzen’s New Backlist Book Cover Redesigns

Alex Merto, Charlotte Strick, and Jonathan Franzen on a New Look for Old Books

By Emily Temple | March 17, 2022

What Do We Mean When We Call a Character a “Monster”?

What Do We Mean When We Call a Character a “Monster”?

For Jess Zimmerman, One Reader’s Villain is Another’s Hero

By Jess Zimmerman | March 17, 2022

How <em>Buffy the Vampire Slayer</em> Mishandled Characters of Color

How Buffy the Vampire Slayer Mishandled Characters of Color

“Where the possibilities are endless, why wouldn’t you seize that opportunity?”

By Evan Katz | March 17, 2022

Just How Much is Jane Austen a Precursor to <em>Bridgerton</em>?

Just How Much is Jane Austen a Precursor to Bridgerton?

Robert Morrison on Race, Sex, and Violence in the Regency Era

By Robert Morrison | March 17, 2022

What an Ecofeminist Pioneer Can Teach Us Today

What an Ecofeminist Pioneer Can Teach Us Today

On Françoise d’Eaubonne's Radical Vision

By Myriam Bahaffou and Julie Gorecki | March 17, 2022

Scott Anderson on What Russia’s Wars in Chechnya Tell Us about the Invasion of Ukraine

Scott Anderson on What Russia’s Wars in Chechnya Tell Us about the Invasion of Ukraine

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | March 17, 2022

Best Reviewed
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  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Why Moonstruck Made Marie-Helene Bertino Proud to Be Italian-American

By Open Form | March 17, 2022

Telling the Stories of the Wrongly Incarcerated

By Phoebe Zerwick | March 17, 2022

WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma

By The Virtual Book Channel | March 17, 2022

The Life and Death of a Cutting Edge Literary Journal, c. 1989

The Life and Death of a Cutting Edge Literary Journal, c. 1989

Kurt Hollander on Publishing The Portable Lower East Side

By Kurt Hollander | March 17, 2022

On Apocalypse Art, Climate Divination, and <em>The Blob</em>

On Apocalypse Art, Climate Divination, and The Blob

Molly Gallentine's Summer of Professionally Contemplating the End of Humanity

By Molly Gallentine | March 17, 2022

Liz Scheier on Comedy as a Survival Skill

Liz Scheier on Comedy as a Survival Skill

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 17, 2022

On the Second Battle of Kiev, 1943

On the Second Battle of Kiev, 1943

From the We Have Ways of Making You Talk Podcast

By We Have Ways of Making You Talk | March 17, 2022

How Leadership Values Like Empathy Might Help End the War in Ukraine

How Leadership Values Like Empathy Might Help End the War in Ukraine

Susan MacKenty Brady in Conversation with Andrew Keen

By Keen On | March 17, 2022

Jason Moran on What It Means to Play the Room

Jason Moran on What It Means to Play the Room

In Conversation with Paul Holdengräber on The Quarantine Tapes

By The Quarantine Tapes | March 17, 2022

If God Self-Published the World, Then How Can He Work Out its Editorial Kinks?

If God Self-Published the World, Then How Can He Work Out its Editorial Kinks?

Filip Doušek in Conversation with Andrew Keen

By Keen On | March 17, 2022

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    • Ellie Levenson on the Beautiful Realism of Ambiguous Endings in NarrativesJanuary 21, 2026 by Ellie Levenson
    • Crime on the High Seas: 8 Historical Mysteries with Pirates and SmugglersJanuary 21, 2026 by Linda Wilgus
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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