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News and Culture
The Story Behind Jonathan Franzen’s New Backlist Book Cover Redesigns
Alex Merto, Charlotte Strick, and Jonathan Franzen on a New Look for Old Books
By
Emily Temple
| March 17, 2022
What Do We Mean When We Call a Character a “Monster”?
For Jess Zimmerman, One Reader’s Villain is Another’s Hero
By
Jess Zimmerman
| March 17, 2022
How
Buffy the Vampire Slayer
Mishandled Characters of Color
“Where the possibilities are endless, why wouldn’t you seize that opportunity?”
By
Evan Katz
| March 17, 2022
Just How Much is Jane Austen a Precursor to
Bridgerton
?
Robert Morrison on Race, Sex, and Violence in the Regency Era
By
Robert Morrison
| March 17, 2022
What an Ecofeminist Pioneer Can Teach Us Today
On Françoise d’Eaubonne's Radical Vision
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Myriam Bahaffou and Julie Gorecki
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Scott Anderson on What Russia’s Wars in Chechnya Tell Us about the Invasion of Ukraine
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
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Fiction Non Fiction
| March 17, 2022
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Telling the Stories of the Wrongly Incarcerated
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WATCH: NoViolet Bulawayo in Conversation with Novuyo Tshuma
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The Life and Death of a Cutting Edge Literary Journal, c. 1989
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Kurt Hollander
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On Apocalypse Art, Climate Divination, and
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Molly Gallentine's Summer of Professionally Contemplating the End of Humanity
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Molly Gallentine
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Liz Scheier on Comedy as a Survival Skill
In Conversation with Maris Kreizman on
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The Maris Review
| March 17, 2022
On the Second Battle of Kiev, 1943
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We Have Ways of Making You Talk
| March 17, 2022
How Leadership Values Like Empathy Might Help End the War in Ukraine
Susan MacKenty Brady in Conversation with Andrew Keen
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Keen On
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Jason Moran on What It Means to Play the Room
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If God Self-Published the World, Then How Can He Work Out its Editorial Kinks?
Filip Doušek in Conversation with Andrew Keen
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Keen On
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Ellie Levenson on the Beautiful Realism of Ambiguous Endings in Narratives
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Ellie Levenson
Crime on the High Seas: 8 Historical Mysteries with Pirates and Smugglers
January 21, 2026
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Linda Wilgus
The Best Reviewed Books of the Week
"Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"