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Seán Hewitt on Taking Refuge in <em>The Legend of Zelda</em>

Seán Hewitt on Taking Refuge in The Legend of Zelda

"That pixelated landscape holds an electric key to my mind: it is able to renew my sense of wonder"

By Seán Hewitt | July 12, 2022

Fantasy vs. Reality: When the Muse Finally Speaks

Fantasy vs. Reality: When the Muse Finally Speaks

Antonia Angress on Seeing and Being Seen In Art and Real Life

By Antonia Angress | July 12, 2022

On the Personalization of Craft; Or, We’re All Going to Die Soon Anyway

On the Personalization of Craft; Or, We’re All Going to Die Soon Anyway

Diksha Basu Wonders What We Really Mean by “Writing Rules”

By Diksha Basu | July 11, 2022

In Praise of Poet Voice

In Praise of Poet Voice

Dan O'Brien Defends a Much-Maligned Performance Style

By Dan O'Brien | July 11, 2022

Calculating Losses: How to Close a High School Library for Summer Vacation 

Calculating Losses: How to Close a High School Library for Summer Vacation 

Jess deCourcy Hinds on Taking Stock of More Than Just Books

By Jess deCourcy Hinds | July 8, 2022

Repeat After Me: “I Am Not the Great American Novelist.”

Repeat After Me: “I Am Not the Great American Novelist.”

Michael Bourne on What It Really Means to Accept Failure

By Michael Bourne | July 8, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Visions of Jane Eyre: On Mothers, Labor, and the Places Children Hide

By Lesley Jenike | July 8, 2022

Ashley C. Ford: If “Kids Are the Future,” Why Don’t We Act Like it?

By Thresholds | July 6, 2022

You Can’t Choose Your Influences: On the Unexpected Book That Made Me a Writer

By Matt Rowland Hill | July 6, 2022

Chantal V. Johnson on Childhood Abuse and Disclosure

Chantal V. Johnson on Childhood Abuse and Disclosure

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | July 6, 2022

California State of Mind: Searching for Didion and Babitz in Literary Los Angeles

California State of Mind: Searching for Didion and Babitz in Literary Los Angeles

Marianne Eloise on Two of Her Favorite Writers—Who Could Not Be More Different

By Marianne Eloise | July 5, 2022

1980s Glam French Rebellion: A Literary Playlist

1980s Glam French Rebellion: A Literary Playlist

By Valérie Perrin, Author of Three

By Valérie Perrin | July 5, 2022

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

This Week From the Big Table Podcast with JC Gabel

By Big Table | July 5, 2022

From Memoir to Fiction: A World More Beautiful and Real than Reality

From Memoir to Fiction: A World More Beautiful and Real than Reality

Yara Zgheib on Blending the Real With the Imaginary

By Yara Zgheib | July 5, 2022

The Alchemy of Language: Ina Cariño on Naming, Claiming, and Protecting Ancestral Land

The Alchemy of Language: Ina Cariño on Naming, Claiming, and Protecting Ancestral Land

“I spell myself deliberately, with intention: an alchemization, plain metal to gold.”

By Ina Cariño | July 1, 2022

Jen Mediano on Letter-Writing, Losing Touch, and Second-Hand Mourning

Jen Mediano on Letter-Writing, Losing Touch, and Second-Hand Mourning

“Letters are a hinge into the invisible world; a place to share and to hone.”

By Jen Mediano | July 1, 2022

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Page 64 of 160
    • Halle Berry Will Play the President of the United States in The President is MissingFebruary 4, 2026 by Olivia Rutigliano
    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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