Literary Hub » Film and TV

Sera Gamble on Rejection, Writing, and the Surreality of Having 50 Million People Hear Her College Poetry

Sera Gamble on Rejection, Writing, and the Surreality of Having 50 Million People Hear Her College Poetry

Jessie Gaynor Talks to the Showrunner of The Magicians and You

By Jessie Gaynor | June 21, 2022

Does George Saunders’s <em>Escape From Spiderhead</em> Stand Up on Film?

Does George Saunders’s Escape From Spiderhead Stand Up on Film?

Jonathan Russell Clark on Netflix’s $100 Million Adaptation of a Beloved Short Story

By Jonathan Russell Clark | June 17, 2022

Turns Out, 1980s Midwesterners Didn’t Want Their Sitcoms Set in Boston Bars

Turns Out, 1980s Midwesterners Didn’t Want Their Sitcoms Set in Boston Bars

Cheers Director James Burrows on Creating a Warm Set... Where Everybody Knows Your Name

By James Burrows | June 17, 2022

Here's the eerie first trailer for Marilyn Monroe biopic <em>Blonde</em>.

Here's the eerie first trailer for Marilyn Monroe biopic Blonde.

By Dan Sheehan | June 16, 2022

On the Importance of Stories That Take Teenage Girls Seriously

On the Importance of Stories That Take Teenage Girls Seriously

Kaitlyn Tiffany Recommends Elif Batuman, Cadet Kelly, and More

By Kaitlyn Tiffany | June 16, 2022

Marlowe Granados on How <em>Charlie’s Angels</em> Embraced Pure Fun in a Post-Y2K World

Marlowe Granados on How Charlie’s Angels Embraced Pure Fun in a Post-Y2K World

This Week on the Open Form Podcast

By Keen On | June 16, 2022

Best Reviewed
Books of the Week

Harry Styles gets naked in the steamy first trailer for My Policeman.

By Dan Sheehan | June 15, 2022

There's a trailer for Netflix's new Jane Austen adaptation . . . and the internet haaaaates it.

By Emily Temple | June 15, 2022

From Garﬁeld to Black Panther: Nnedi Okorafor on the Power of Comics

By Nnedi Okorafor | June 14, 2022

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

How to Fit Balzac’s Magnificent Universe Onto the Big Screen?

Drew Johnson on Lost Illusions (1843) and Lost Illusions (2021)

By Drew Johnson | June 13, 2022

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

“But what if the problem, I said, is capitalism?”

By Anwen Crawford | June 13, 2022

A24 is pivoting to children's books.

A24 is pivoting to children's books.

By Katie Yee | June 9, 2022

Mira Jacob on <em>Mississippi Masala</em> and Discovering Herself on Screen

Mira Jacob on Mississippi Masala and Discovering Herself on Screen

This Week on the Open Form Podcast

By Open Form | June 9, 2022

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Ryan O’Connell on the Importance of Facing Rejection in the Sack and Finding His Voice in Hollywood

Greg Marshall Talks to the Star of Netflix's Special, aka the “Gay, Disabled Nancy Meyers”

By Greg Marshall | June 9, 2022

When Rob Reiner’s Alter Ego (Harry) Met Nora Ephron’s Alter Ego (Sally)

When Rob Reiner’s Alter Ego (Harry) Met Nora Ephron’s Alter Ego (Sally)

Kristin Marguerite Doidge Reveals the Real-Life Anecdotes Behind the Classic Rom-Com

By Kristin Marguerite Doidge | June 8, 2022

Albert Serra’s <em>Pacifiction</em> is Deeply Unsettling—and Deeply Literary

Albert Serra’s Pacifiction is Deeply Unsettling—and Deeply Literary

From Cannes, Ryan Coleman Finds the Renegade Spanish Filmmaker Crafting Something Entirely New

By Ryan Coleman | June 8, 2022

« First ‹ Previous 34 35 36 373839 40 41 42 Next ›Last »

Page 38 of 89