The <em>Kindred</em> Adaptation Reclaims Octavia Butler’s “Grim Fantasy” for a New Era

The Kindred Adaptation Reclaims Octavia Butler’s “Grim Fantasy” for a New Era

Gabrielle Bellot: “No matter how long ago slavery might seem, it is always disquietingly close to us, both in time and memory.”

By Gabrielle Bellot | December 12, 2022

What to Read Before and After <em>The Adventures of Saul Bellow</em>

What to Read Before and After The Adventures of Saul Bellow

Readings on the Life and Works of a Literary Icon

By Literary Hub | December 9, 2022

Damage Control: Why Are We Allowing Hollywood to Codify the #MeToo Movement?

Damage Control: Why Are We Allowing Hollywood to Codify the #MeToo Movement?

Xandra Ellin on She Said and the #MeToo Cinematic Universe

By Xandra Ellin | December 8, 2022

In <em>The Super 8 Years</em>, Annie Ernaux Drifts Between Domesticity and Creativity

In The Super 8 Years, Annie Ernaux Drifts Between Domesticity and Creativity

Julia Sirmons on Maternal Performance and the Growth of an Artist, Captured in Family Home Movies

By Julia Sirmons | December 6, 2022

<em>Guillermo del Toro’s Pinocchio</em> Imbues the Fairy Tale with Human Frailty and Historical Darkness

Guillermo del Toro’s Pinocchio Imbues the Fairy Tale with Human Frailty and Historical Darkness

Jonathan Russell Clark on Fascists, Fathers, and Federico Fellini

By Jonathan Russell Clark | December 5, 2022

The Literary Film and TV You Need to Stream in December

The Literary Film and TV You Need to Stream in December

Have Yourself a Merry Literary Movie Night

By Emily Temple | December 2, 2022

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  • The Beginning Comes After the End: Notes on a World of Change
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’Tis the Season: What 80s Mall Movies Tell Us About an Enduring Site of American Tension

By Sara Tatyana Bernstein | December 2, 2022

Quentin Tarantino on How He Never Intended to Write a Book of Film History

By The Literary Life | December 2, 2022

The Art of Designing the Graphics For the Harry Potter and Fantastic Beast Films

By Keen On | December 2, 2022

Cannibals or Ghouls? The Elusiveness of Language in <em>Bones and All</em>

Cannibals or Ghouls? The Elusiveness of Language in Bones and All

Miyako Pleines on the Crucial Distinction Between Choice and Curse

By Miyako Pleines | December 1, 2022

With the Ancestors: Buki Papillon on African Folklore and <em>Wakanda Forever</em>

With the Ancestors: Buki Papillon on African Folklore and Wakanda Forever

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | December 1, 2022

In Netflix’s <em>Lady Chatterley’s Lover</em>, a Controversial Classic Becomes a Glossy Love Story

In Netflix’s Lady Chatterley’s Lover, a Controversial Classic Becomes a Glossy Love Story

But Yes, There’s Still Plenty of Sex

By Meg Walters | November 30, 2022

Tess Gunty's <em>The Rabbit Hutch</em> is coming to the screen.

Tess Gunty's The Rabbit Hutch is coming to the screen.

By Dan Sheehan | November 29, 2022

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Do the Oscars Have a Future in an Age of Superhero Sequels and Prequels?

Bruce Davis in Conversation with Andrew Keen on Keen On

By Keen On | November 29, 2022

On <em>Women Talking</em> and the Unreliable Narrators of Post-MeToo Literature

On Women Talking and the Unreliable Narrators of Post-MeToo Literature

Can Sarah Polley’s Film Adaptation Capture Miriam Toews’s Feat of Storytelling?

By Emma Staffaroni | November 28, 2022

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Tracing Bong Joon Ho’s Rise to Fame, from Secret Government Blacklist to Making Oscars History

Karen Han on the Films That Made a (Cheeky) Star

By Karen Han | November 28, 2022

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