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  • Craft and Criticism
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Why Did It Take So Long for <em>Star Trek</em> to Embrace Queer Characters?

Why Did It Take So Long for Star Trek to Embrace Queer Characters?

only used analogies to talk about queerness."">"It’s bewildering yet predictable that prior to the 21st century, Trek only used analogies to talk about queerness."

By Ryan Britt | May 31, 2022

<em>Frances Ha</em> is All Grown Up

Frances Ha is All Grown Up

Olivia Rutigliano on the Greta Gerwig Coming-of-Age Comedy Ten Years Later

By Olivia Rutigliano | May 27, 2022

When London Got the Marilyn Monroe Fever

When London Got the Marilyn Monroe Fever

“And so started a summer of Brits, young and old, doing everything they could to be just like Marilyn.”

By Michelle Morgan | May 27, 2022

Is <em>The Godfather</em> the Greatest Story of US Immigration Ever Committed to Film?

Is The Godfather the Greatest Story of US Immigration Ever Committed to Film?

Laila Lalami in Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | May 26, 2022

Remembering (And Mourning) The Golden Age of Hollywood and Washington D.C.

Remembering (And Mourning) The Golden Age of Hollywood and Washington D.C.

George Stevens, Jr. in Conversation with Andrew Keen

By Keen On | May 25, 2022

Elizabeth Hardwick on the Capable Coolness of Faye Dunaway

Elizabeth Hardwick on the Capable Coolness of Faye Dunaway

“She seems to be expressing a solitariness that is unusual, anti-romantic.”

By Elizabeth Hardwick | May 23, 2022

Best Reviewed
Books of the Week

  • Heart the Lover
  • What a Time to Be Alive
  • Somebody Is Walking on Your Grave: My Cemetery Journeys
  • Pick a Color
  • The Eternal Forest: A Memoir of the Cuban Diaspora
  • Scream with Me: Horror Films and the Rise of American Feminism (1968-1980)

Was You’ve Got Mail Trying to Warn Us About the Internet? (Or Telling Us to Give Up?)

By Olivia Rutigliano | May 20, 2022

Is Pearl Harbor a Film of Propaganda?

By Open Form | May 19, 2022

When Sidney Poitier Went to the Moscow Film Festival

By George Stevens, Jr. | May 19, 2022

Jenna Fischer and Angela Kinsey on Finding Creative Freedom in <em>The Office</em>

Jenna Fischer and Angela Kinsey on Finding Creative Freedom in The Office

Or, How Angela Martin Became a “Crazy Cat Lady”

By Jenna Fischer and Angela Kinsey | May 18, 2022

George Saunders meets Thor in the first trailer for <em>Spiderhead</em>.

George Saunders meets Thor in the first trailer for Spiderhead.

By Dan Sheehan | May 17, 2022

On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic <em>Charulata</em>

On the Politics of Caste and Feminine Joy in Satyajit Ray’s Classic Charulata

TANAÏS on How the Narratives of Muslim Women and Femmes Are Not Merely About Representation

By TANAÏS | May 17, 2022

What are these serial killer subplots doing in Nora Ephron movies?

What are these serial killer subplots doing in Nora Ephron movies?

By Olivia Rutigliano | May 13, 2022

Hulu’s <em>Conversations with Friends</em> Captures the Quintessential Rooney Longing, if Not Much Else

Hulu’s Conversations with Friends Captures the Quintessential Rooney Longing, if Not Much Else

Nylah Burton on the Newest Addition to the Sally Rooneyverse

By Nylah Burton | May 13, 2022

Chelsea Bieker on the Problematic Use of Pursuit in <em>Sleeping With the Enemy</em>

Chelsea Bieker on the Problematic Use of Pursuit in Sleeping With the Enemy

In Conversation with Mychal Denzel Smith on the Open Form Podcast

By Open Form | May 12, 2022

Notes from a Prop Master: Making the Book of Secrets for <em>National Treasure 2</em>

Notes from a Prop Master: Making the Book of Secrets for National Treasure 2

Ross MacDonald on the Hollywood Tradition of “Big Scary Movie Books”

By Ross MacDonald | May 11, 2022

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Page 38 of 88
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    • Sophie Hannah On How She Writes a Poirot NovelOctober 10, 2025 by Alex Dueben
    • My First thriller: Megan AbbottOctober 9, 2025 by Rick Pullen
    • Heart the Lover
    • The Best Reviewed Books of the Week
    • "King captures her guileless sense of awe with just a dusting of parody that never…"
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