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One Decade, Two Writers, Many Actors, and Finally My Book Became a Movie

One Decade, Two Writers, Many Actors, and Finally My Book Became a Movie

Mark Haskell Smith on Adapting His Book Salty for the Big Screen

By Mark Haskell Smith | September 7, 2017

N.K. Jemisin on Craft, Advocacy, and Ignoring the Naysayers

N.K. Jemisin on Craft, Advocacy, and Ignoring the Naysayers

"I feel the Force. I listen to my gut. I write what feels good."

By Emily Temple | September 1, 2017

Where Are the Likes? Coming to Terms with Being a Writer on Social Media

Where Are the Likes? Coming to Terms with Being a Writer on Social Media

When News of Publication Garners Way More Attention Than the Writing Itself

By Nick Ripatrazone | August 31, 2017

Dear Rick Moody: What Should I Say About My Scars?

Dear Rick Moody: What Should I Say About My Scars?

A Complicated Past Doesn't Need to Be a Complicated Present

By Rick Moody | August 31, 2017

The Photograph That Helped Me Finish My Book

The Photograph That Helped Me Finish My Book

Laura Schenone Finds Endurance in the Work of Fay Godwin

By Laura Schenone | August 30, 2017

15 Famous Writers on the Perils of a Formal Education

15 Famous Writers on the Perils of a Formal Education

And Why Libraries > Classrooms

By Emily Temple | August 29, 2017

Best Reviewed
Books of the Week

  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
  • End Times Fascism: And the Fight for the Living World
  • Anti-Zionism: A Jewish History
  • Call It Evil: Understanding the Trump Era
  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Why I Made My Main Character a Right Wing Blogger

By Jonathan Dee | August 28, 2017

Why a Party is a Perfect Literary Device

By Elizabeth Day | August 25, 2017

I Made a Mistake in My Book and the Internet Went Nuts

By Rebecca Schuman | August 21, 2017

Are We Different Writers When We Move From Longhand to a Screen?

Are We Different Writers When We Move From Longhand to a Screen?

A Brief History of Panic in the Face of New Writing Technology

By James Draney | August 18, 2017

Getting It Right: How to Rebuild Scenes from the Past

Getting It Right: How to Rebuild Scenes from the Past

Benjamin Rachlin Goes Deep on the Research

By Benjamin Rachlin | August 18, 2017

Jill Bialosky: The Time I Moved to New York City to Be a Poet

Jill Bialosky: The Time I Moved to New York City to Be a Poet

On Finding Meaning in Art and Work in the Big City

By Jill Bialosky | August 17, 2017

Fact, Fiction, and When a Novel Crosses the Line

Fact, Fiction, and When a Novel Crosses the Line

Joanna Scott on the Illusive Boundaries of Truth and Literature

By Joanna Scott | August 15, 2017

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

How to Write This Year’s “Definitive Novel” of the East Village in the 1980s

Jarett Kobek Gives Away His Professional Secrets

By Jarett Kobek | August 14, 2017

Katie Kitamura on Subverting Tropes in <em>A Separation</em>

Katie Kitamura on Subverting Tropes in A Separation

Because All Books Have Dead Women and Tidy Endings

By Emily Temple | August 14, 2017

Writing Just Enough Detail, But Not Too Much

Writing Just Enough Detail, But Not Too Much

Daniel Galera on Finding That Perfect Description

By Daniel Galera | August 14, 2017

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    • Exit Party
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