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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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Nikita Lalwani on the Art of Eavesdropping

Nikita Lalwani on the Art of Eavesdropping

"I urge my writing students to eavesdrop."

By Nikita Lalwani | December 23, 2021

Piercing the Veil of Silence: How the Outbreak of COVID-19 Impacted the Writing of My Book

Piercing the Veil of Silence: How the Outbreak of COVID-19 Impacted the Writing of My Book

Wallis Wilde-Menozzi on Completing Silence and Silences During a Global Pandemic

By Wallis Wilde-Menozzi | December 23, 2021

Greed and Skullduggery: Andrea Penrose Discusses Her Latest Title in the  Wrexford & Sloane Mystery Series

Greed and Skullduggery: Andrea Penrose Discusses Her Latest Title in the Wrexford & Sloane Mystery Series

In Conversation with C.P. Lesley on the New Books Network

By New Books Network | December 23, 2021

When New Journalism Was New: Gay Talese on His Legendary <em>Esquire</em> Profile of Frank Sinatra

When New Journalism Was New: Gay Talese on His Legendary Esquire Profile of Frank Sinatra

On Trying—and Failing—to Interview Ol' Blue Eyes

By Gay Talese | December 22, 2021

Stacy D. Flood on Why He'll Never Write a Novel

Stacy D. Flood on Why He'll Never Write a Novel

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | December 22, 2021

“A Story That Wouldn’t Let Me Go.” Nadifa Mohamed on the 1952 Case at the Heart of Her Novel

“A Story That Wouldn’t Let Me Go.” Nadifa Mohamed on the 1952 Case at the Heart of Her Novel

The Author of The Fortune Men Speaks With Jane Ciabattari

By Jane Ciabattari | December 21, 2021

Best Reviewed
Books of the Week

  • The Pelican Child: Stories
  • Languages of Home: Essays on Writing, Hoop, and American Lives 1975-2025
  • On the Calculation of Volume (Book III)
  • The Ferryman and His Wife
  • Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult
  • Mexico: A 500-Year History

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | December 21, 2021

Megan Milks on Using Genre Shifts to Explore Transness

By Otherppl with Brad Listi | December 21, 2021

Why You Shouldn’t Read Historical Fiction to Learn History

By Juhea Kim | December 20, 2021

Tiphanie Yanique on Breaking the Rules of Form

Tiphanie Yanique on Breaking the Rules of Form

"Form allows for that kind of freedom."

By Tiphanie Yanique | December 17, 2021

Mary O’Donoghue on Removing Comfort in Her Writing

Mary O’Donoghue on Removing Comfort in Her Writing

This Week from The Common Podcast

By The Common | December 17, 2021

Rin Chupeco on How Fan Fiction Molded Them as a Writer

Rin Chupeco on How Fan Fiction Molded Them as a Writer

In Conversation with Gabrielle Mathieu on the New Books Network

By New Books Network | December 17, 2021

Nadifa Mohamed on Writing the Convoluted Terrains of Immigration

Nadifa Mohamed on Writing the Convoluted Terrains of Immigration

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | December 16, 2021

How to Make a Better World Without Centering Yourself: A Conversation with Alex McElroy

How to Make a Better World Without Centering Yourself: A Conversation with Alex McElroy

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | December 16, 2021

“I Think About <em>Don Quixote</em> a Lot.” Robin McLean on Narrative Versus Thought

“I Think About Don Quixote a Lot.” Robin McLean on Narrative Versus Thought

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | December 16, 2021

How to Write (Almost) Anything: A Very Serious Guide by Tom Bissell

How to Write (Almost) Anything: A Very Serious Guide by Tom Bissell

“Even when you are not ‘working on the book,’ you are working on the book.”

By Tom Bissell | December 15, 2021

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Page 146 of 259
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    • American Crime: The True Story of a Stalking in KansasDecember 1, 2025 by Corey Mead
    • The Pelican Child: Stories
    • The Best Reviewed Books of the Week
    • "The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"
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