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How Contemporary Chinese Literature Made Western Modernism Its Own

How Contemporary Chinese Literature Made Western Modernism Its Own

Yan Lianke on the Concept of “Mythorealism”

By Yan Lianke and Carlos Rojas | May 23, 2022

In Praise of the Unhappy Happy Ending

In Praise of the Unhappy Happy Ending

Natalie Jenner Breaks Down an Alluring Authorial Move

By Natalie Jenner | May 23, 2022

My Queer Life Is Not Inappropriate, and Neither Are the Books That Reflect It

My Queer Life Is Not Inappropriate, and Neither Are the Books That Reflect It

Nicole Melleby on Writing Books that Help Queer Kids and the Kids of Queer Parents Feel Seen

By Nicole Melleby | May 23, 2022

Marie Myung-Ok Lee on the Inevitable Slowness of Writing

Marie Myung-Ok Lee on the Inevitable Slowness of Writing

The Author of The Evening Hero Talks to Jimin Han

By Jimin Han | May 23, 2022

Jonathan Lee on Hooking a Reader with the First Line

Jonathan Lee on Hooking a Reader with the First Line

“No one wants to feel the writer trying too hard.”

By Jonathan Lee | May 20, 2022

A Conversation About Music, Memory, and the Topographies of Writing

A Conversation About Music, Memory, and the Topographies of Writing

Mesha Maren in Conversation with Fernando Flores

By Literary Hub | May 20, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique

By Micro Podcast | May 20, 2022

Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel

By New Books Network | May 20, 2022

Annie Harnett on What Living in a Cemetery Meant to Her Novel

By The Maris Review | May 19, 2022

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

Andre Henry on Pulling from the Genres that Shaped His Life

By Andre Henry | May 19, 2022

Mary Laura Philpott on Why Structure Is Always Story

Mary Laura Philpott on Why Structure Is Always Story

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 18, 2022

What Do Writing a Novel and Tending a Garden Have in Common?

What Do Writing a Novel and Tending a Garden Have in Common?

Naheed Phiroze Patel on the Life-Long Projects of Writing and Gardening

By Naheed Phiroze Patel | May 18, 2022

You Can’t Have Creativity Without Boredom

You Can’t Have Creativity Without Boredom

Aaron Angello on the Stillness of the Imaginative Mind

By Aaron Angello | May 18, 2022

How War Literature Occupies the Realms of Both Fact and Fiction

How War Literature Occupies the Realms of Both Fact and Fiction

Phil Klay on Maintaining Verisimilitude When Writing About War

By Phil Klay | May 17, 2022

Emma Straub’s Advice for What to Wear to a Book Launch

Emma Straub’s Advice for What to Wear to a Book Launch

“Back to basics. Just hot dogs, babka, and gratitude for vaccines.”

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

Victoria Shorr on the Art of the Novella

”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”

By Victoria Shorr | May 17, 2022

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Page 133 of 262
    • New Series to Watch this WeekendJanuary 16, 2026 by Olivia Rutigliano
    • Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and FamilyJanuary 16, 2026 by Van Jensen
    • The Historical Implications and Fictional Possibilities of the Hindenberg DisasterJanuary 16, 2026 by L. A. Chandlar
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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