Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Book Marks
CrimeReads
Log In
Craft and Advice
How Contemporary Chinese Literature Made Western Modernism Its Own
Yan Lianke on the Concept of “Mythorealism”
By
Yan Lianke and Carlos Rojas
| May 23, 2022
In Praise of the Unhappy Happy Ending
Natalie Jenner Breaks Down an Alluring Authorial Move
By
Natalie Jenner
| May 23, 2022
My Queer Life Is Not Inappropriate, and Neither Are the Books That Reflect It
Nicole Melleby on Writing Books that Help Queer Kids and the Kids of Queer Parents Feel Seen
By
Nicole Melleby
| May 23, 2022
Marie Myung-Ok Lee on the Inevitable Slowness of Writing
The Author of
The Evening Hero
Talks to Jimin Han
By
Jimin Han
| May 23, 2022
Jonathan Lee on Hooking a Reader with the First Line
“No one wants to feel the writer trying too hard.”
By
Jonathan Lee
| May 20, 2022
A Conversation About Music, Memory, and the Topographies of Writing
Mesha Maren in Conversation with Fernando Flores
By
Literary Hub
| May 20, 2022
Best Reviewed
Books of the Week
Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique
By
Micro Podcast
| May 20, 2022
Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel
By
New Books Network
| May 20, 2022
Annie Harnett on What Living in a Cemetery Meant to Her Novel
By
The Maris Review
| May 19, 2022
Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives
Andre Henry on Pulling from the Genres that Shaped His Life
By
Andre Henry
| May 19, 2022
Mary Laura Philpott on Why Structure Is Always Story
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| May 18, 2022
What Do Writing a Novel and Tending a Garden Have in Common?
Naheed Phiroze Patel on the Life-Long Projects of Writing and Gardening
By
Naheed Phiroze Patel
| May 18, 2022
You Can’t Have Creativity Without Boredom
Aaron Angello on the Stillness of the Imaginative Mind
By
Aaron Angello
| May 18, 2022
How War Literature Occupies the Realms of Both Fact and Fiction
Phil Klay on Maintaining Verisimilitude When Writing About War
By
Phil Klay
| May 17, 2022
Emma Straub’s Advice for What to Wear to a Book Launch
“Back to basics. Just hot dogs, babka, and gratitude for vaccines.”
By
Emma Straub
| May 17, 2022
Victoria Shorr on the Art of the Novella
”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”
By
Victoria Shorr
| May 17, 2022
« First
‹ Previous
129
130
131
132
133
134
135
136
137
Next ›
Last »
Page 133 of 262
New Series to Watch this Weekend
January 16, 2026
by
Olivia Rutigliano
Novelist Van Jensen Talks with His Mother, Acclaimed Painter Jean Jensen, About Art, Literature, and Family
January 16, 2026
by
Van Jensen
The Historical Implications and Fictional Possibilities of the Hindenberg Disaster
January 16, 2026
by
L. A. Chandlar
The Best Reviewed Books of the Week
"Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"