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Marie Myung-Ok Lee on the Inevitable Slowness of Writing

Marie Myung-Ok Lee on the Inevitable Slowness of Writing

The Author of The Evening Hero Talks to Jimin Han

By Jimin Han | May 23, 2022

Jonathan Lee on Hooking a Reader with the First Line

Jonathan Lee on Hooking a Reader with the First Line

“No one wants to feel the writer trying too hard.”

By Jonathan Lee | May 20, 2022

A Conversation About Music, Memory, and the Topographies of Writing

A Conversation About Music, Memory, and the Topographies of Writing

Mesha Maren in Conversation with Fernando Flores

By Literary Hub | May 20, 2022

Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique

Brian Alan Ellis on Making “Garden Variety Pain” Readable and Unique

In Conversation with Kirsten Reneau for the Micro Podcast

By Micro Podcast | May 20, 2022

Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel

Khan Wong on Hula Hooping, Asexuality, and Creating the Universe of His Debut Novel

In Conversation with Rob Wolf on the New Books Network

By New Books Network | May 20, 2022

Annie Harnett on What Living in a Cemetery Meant to Her Novel

Annie Harnett on What Living in a Cemetery Meant to Her Novel

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | May 19, 2022

Best Reviewed
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  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Looking to Songs and Sermons to Structure a Memoir About Fighting for Black Lives

By Andre Henry | May 19, 2022

Mary Laura Philpott on Why Structure Is Always Story

By Otherppl with Brad Listi | May 18, 2022

What Do Writing a Novel and Tending a Garden Have in Common?

By Naheed Phiroze Patel | May 18, 2022

You Can’t Have Creativity Without Boredom

You Can’t Have Creativity Without Boredom

Aaron Angello on the Stillness of the Imaginative Mind

By Aaron Angello | May 18, 2022

How War Literature Occupies the Realms of Both Fact and Fiction

How War Literature Occupies the Realms of Both Fact and Fiction

Phil Klay on Maintaining Verisimilitude When Writing About War

By Phil Klay | May 17, 2022

Emma Straub’s Advice for What to Wear to a Book Launch

Emma Straub’s Advice for What to Wear to a Book Launch

“Back to basics. Just hot dogs, babka, and gratitude for vaccines.”

By Emma Straub | May 17, 2022

Victoria Shorr on the Art of the Novella

Victoria Shorr on the Art of the Novella

”They take you—for one evening if you don't put it down, longer if you draw it out—to a place that you can see in sharp detail.”

By Victoria Shorr | May 17, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

The Author of Forbidden City Talks to Jane Ciabattari

By Jane Ciabattari | May 17, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

Ada Limón on Why Being Witnessed Is Essential For an Artist

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 16, 2022

On the Power and Purpose of Historical Fiction

On the Power and Purpose of Historical Fiction

A Conversation Between Eva Stachniak and Christina Baker Kline

By Literary Hub | May 16, 2022

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Page 133 of 262
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    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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