Emily Flitter on What She Learned From a Source’s Silence

Emily Flitter on What She Learned From a Source’s Silence

“The book itself didn’t matter. The act of listening to the stories I was hearing and responding with care and concern did.”

By Emily Flitter | October 26, 2022

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

“A Lot of People Can’t Stomach It.” Jonathan Escoffery on the Paradox of Writing About Poverty

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 26, 2022

How My Novel Disappeared—And Why it Came Back

How My Novel Disappeared—And Why it Came Back

Lucy Ferriss on the “Strange Miracle” That Brought Back Her Story

By Lucy Ferriss | October 26, 2022

Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

Merve Emre: Why Going Viral on Twitter Makes You Non-Human in the Public Sphere

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | October 25, 2022

In Service of the Avant Garde: On the Unlikely Success<br> of Siglio Press

In Service of the Avant Garde: On the Unlikely Success
of Siglio Press

Elissa Schappell Talks to Independent Publisher Lisa Pearson

By Elissa Schappell | October 25, 2022

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

Lee Child and Andrew Child on Discipline, Dread, and Writing Late at Night

And Why There’s No Point in Trying to Organize a Bookshelf

By Literary Hub | October 25, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

The Pains and Pleasures of Taking Decades to Write a Book

By Devoney Looser | October 25, 2022

Manuel Muñoz on Writing Through Uncertainty

By Jane Ciabattari | October 25, 2022

Seeking a New Story: On Sobriety and the Stories We Tell About Ourselves

By Sara Martin | October 25, 2022

Erika T. Wurth on Writing Horror as a Former Dorky Kid

Erika T. Wurth on Writing Horror as a Former Dorky Kid

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 25, 2022

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

When 007 Was a Woman: A WWII Novel About the Real Miss Moneypenny

Christine Wells in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

How a Husband-and-Wife Have Strengthened Their Bond by Writing Psychological Thrillers

Nicci French in Conversation with Andrew Keen on Keen On

By Keen On | October 25, 2022

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

Lan Samantha Chang on How—or Whether—to Evolve Your Aesthetic or Style

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 24, 2022

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

“You Find a Way to Be Distinctive.” George Saunders on His Writerly Evolution

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 24, 2022

Harold R. Johnson on How We Tell Our Own Stories

Harold R. Johnson on How We Tell Our Own Stories

“We are the stories we are told and we are the stories we tell ourselves.”

By Harold R. Johnson | October 24, 2022

Mary Karr on Navigating Memory While Writing Memoir

Mary Karr on Navigating Memory While Writing Memoir

“A single image can split open the hard seed of the past.”

By Mary Karr | October 21, 2022

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