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“I Won’t Be Misrepresenting Anybody’s Life Experience But My Own.” A Conversation with Cartoonist and Comedian Luke Healy

“I Won’t Be Misrepresenting Anybody’s Life Experience But My Own.” A Conversation with Cartoonist and Comedian Luke Healy

The Author of The Con Artists Talks to Connor Ratliff

By Literary Hub | July 7, 2022

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

Emily Rapp Black on Frida Kahlo, Disability, and the Myth of the Suffering Artist

This Week From the Big Table Podcast with JC Gabel

By Big Table | July 5, 2022

Wassily Kandinsky and the Uncannily Contemporary Origins of 20th-Century Abstract Art

Wassily Kandinsky and the Uncannily Contemporary Origins of 20th-Century Abstract Art

Daniel Birnbaum in Conversation with Andrew Keen

By Keen On | July 5, 2022

“In comics, nobody is proper and decent.” A Conversation with Graphic Novelist Rumi Hara

“In comics, nobody is proper and decent.” A Conversation with Graphic Novelist Rumi Hara

The Author of The Peanutbutter Sisters Talks to Rina Ayuyang

By Literary Hub | July 1, 2022

“Growing Up As a Girl in the Church, I Felt My Position on Earth Was to Serve Men.” A Conversation With Graphic Novelist Jessica Campbell

“Growing Up As a Girl in the Church, I Felt My Position on Earth Was to Serve Men.” A Conversation With Graphic Novelist Jessica Campbell

The Author of Rave Talks to Nicole Georges

By Literary Hub | June 23, 2022

Why Is It I Keep Seeing the Same Painting Everywhere I Look?

Why Is It I Keep Seeing the Same Painting Everywhere I Look?

A Tale of Baader-Meinhof Phenomenon (in English and Italian)

By Gianluca Didino | June 17, 2022

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Ewen Spencer on What Writers and Photographers Have in Common

By Keen On | June 17, 2022

What Sally Mann’s Work Says About Art and Motherhood

By Whitney Otto | June 15, 2022

How Eudora Welty Captured 1930s New York City on Film

By Annette Trefzer | June 15, 2022

Lurid, Offensive, Troublesome: On the Rise of “Underground Comix”

Lurid, Offensive, Troublesome: On the Rise of “Underground Comix”

Brian Doherty Looks Back at the Rebellious Illustrators of the 1960s

By Brian Doherty | June 15, 2022

“Men Act, Women Appear.” Reading Emily Ratajkowski and Catherine McCormack

“Men Act, Women Appear.” Reading Emily Ratajkowski and Catherine McCormack

Veronica Esposito on the Complicated Intersection of Theory and Practice

By Veronica Esposito | June 14, 2022

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

“But what if the problem, I said, is capitalism?”

By Anwen Crawford | June 13, 2022

How Brechtian Theater Can Help Americans Talk to One Another Again

How Brechtian Theater Can Help Americans Talk to One Another Again

Nandita Dinesh in Conversation with Andrew Keen

By Keen On | June 9, 2022

Victoria Finlay on the Hidden History of the Material World

Victoria Finlay on the Hidden History of the Material World

In Conversation with Andrew Keen

By Keen On | June 7, 2022

Karen Hofmann on Building an Accessible, Affordable, and Inclusive Education

Karen Hofmann on Building an Accessible, Affordable, and Inclusive Education

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | June 7, 2022

Lars Horn on the Intimate History Between Skin and Ink

Lars Horn on the Intimate History Between Skin and Ink

“To write was, and still is, in some sense, to tattoo, to ink script upon skin.”

By Lars Horn | June 6, 2022

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Page 24 of 62
    • J.T. Ellison on Deception, Duality and Domestic SuspenseSeptember 9, 2026 by John B. Valeri
    • Carly Hillman on Going from Producing Colbert's Late Show to Writing a Crime NovelSeptember 9, 2026 by Carly Hillman
    • Carrie Talick on Mashing Up Genres and Injecting Comedy into Murder MysteriesSeptember 8, 2026 by Carrie Talick
    • The Disappearers
    • The Best Reviewed Books of the Week
    • "A maximalist s banquet It is humane blood-flecked disturbing and sustaining James has written a…"
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