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Why Is It I Keep Seeing the Same Painting Everywhere I Look?

Why Is It I Keep Seeing the Same Painting Everywhere I Look?

A Tale of Baader-Meinhof Phenomenon (in English and Italian)

By Gianluca Didino | June 17, 2022

Ewen Spencer on What Writers and Photographers Have in Common

Ewen Spencer on What Writers and Photographers Have in Common

In Conversation with Andrew Keen

By Keen On | June 17, 2022

What Sally Mann’s Work Says About Art and Motherhood

What Sally Mann’s Work Says About Art and Motherhood

Whitney Otto on the Legacy of a Groundbreaking American Photographer

By Whitney Otto | June 15, 2022

How Eudora Welty Captured 1930s New York City on Film

How Eudora Welty Captured 1930s New York City on Film

Annette Trefzer on What Welty Learned From Berenice Abbott

By Annette Trefzer | June 15, 2022

Lurid, Offensive, Troublesome: On the Rise of “Underground Comix”

Lurid, Offensive, Troublesome: On the Rise of “Underground Comix”

Brian Doherty Looks Back at the Rebellious Illustrators of the 1960s

By Brian Doherty | June 15, 2022

“Men Act, Women Appear.” Reading Emily Ratajkowski and Catherine McCormack

“Men Act, Women Appear.” Reading Emily Ratajkowski and Catherine McCormack

Veronica Esposito on the Complicated Intersection of Theory and Practice

By Veronica Esposito | June 14, 2022

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It’s Harder to Break a Circle Than a Line: Anwen Crawford on Art and Acts of Resistance

By Anwen Crawford | June 13, 2022

How Brechtian Theater Can Help Americans Talk to One Another Again

By Keen On | June 9, 2022

Victoria Finlay on the Hidden History of the Material World

By Keen On | June 7, 2022

Karen Hofmann on Building an Accessible, Affordable, and Inclusive Education

Karen Hofmann on Building an Accessible, Affordable, and Inclusive Education

From the ArtCenter College of Design’s Bi-Weekly Podcast

By Change Lab | June 7, 2022

Lars Horn on the Intimate History Between Skin and Ink

Lars Horn on the Intimate History Between Skin and Ink

“To write was, and still is, in some sense, to tattoo, to ink script upon skin.”

By Lars Horn | June 6, 2022

Panoramic Panels: On the Power and Potential of Graphic Novels to Convey a Bygone New York

Panoramic Panels: On the Power and Potential of Graphic Novels to Convey a Bygone New York

A Conversation Between Mark Alan Stamaty, David Hajdu, and John Carey

By Literary Hub | June 6, 2022

It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in <em>Rocco and His Brothers</em>

It’s a Man’s Art World: The Centuries-Long Struggle of the Leading Lady in Rocco and His Brothers

Laura Valenza on How Women in Italian Modern Art Become Symbolic of National Crisis

By Laura Valenza | June 2, 2022

On Domesticity and Memory in James Baldwin and Becky Suss

On Domesticity and Memory in James Baldwin and Becky Suss

Peter L’Official on Suss’s “Brand of Children’s Vision for Adults”

By Pete L’Official | June 2, 2022

Ella Emhoff! Burberry! Dimes Square! A bear costume! “Buzzy wordsmiths!” WTF is going on.

Ella Emhoff! Burberry! Dimes Square! A bear costume! “Buzzy wordsmiths!” WTF is going on.

By Jonny Diamond | June 1, 2022

Discovering Franz Kafka’s Nearly-Lost Drawings

Discovering Franz Kafka’s Nearly-Lost Drawings

Andreas Kilcher on the “Grotesque, Carnivalesque” Inventions

By Andreas Kilcher | June 1, 2022

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Page 24 of 61
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    • Awake Awake
    • The Best Reviewed Books of the Week
    • "Confident and unsettling I m forced to be coy because there s a mystery at…"
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