A Los Angeles Funeral Director Reflects on the Pandemic

A Los Angeles Funeral Director Reflects on the Pandemic

Kathy Gilsinan Talks to a "Last Responder"

By Kathy Gilsinan | March 25, 2022

An Ode to the Milk Bar of My Childhood

An Ode to the Milk Bar of My Childhood

Madelaine Lucas on Finding a Boo Radley House of Her Own

By Madelaine Lucas | March 24, 2022

Teaching Writing to Children with Autism While in the Grip of Anxiety

Teaching Writing to Children with Autism While in the Grip of Anxiety

Sarah Fay on Navigating Not One But Two Entries in the DSM

By Sarah Fay | March 24, 2022

On Embracing the Halting, Neurotic, Defiant Ways We Talk

On Embracing the Halting, Neurotic, Defiant Ways We Talk

Sara Lippmann’s Manifesto for Sounding—and Writing—Like Yourself

By Sara Lippmann | March 23, 2022

Watching <em>Secretary</em> 20 Years Later, Post-#MeToo

Watching Secretary 20 Years Later, Post-#MeToo

Emily Kenway on the Hollywoodization of Predation

By Emily Kenway | March 23, 2022

Crossing Paths with the Spirit of Sylvia Plath

Crossing Paths with the Spirit of Sylvia Plath

Helen Humphreys on Writing at Yaddo and Reading Plath’s Letters

By Helen Humphreys | March 23, 2022

Best Reviewed
Books of the Week

  • Northern Light: Power, Land, and the Memory of Water
  • Whistler
  • The Dog's Gaze: A Visual History
  • 1873: The Rothschilds, the First Great Depression, and the Making of the Modern World
  • Drayton and MacKenzie
  • The Long Revolution: Creating a United States After 1776

The Goalposts Are Always Moving: What It Means to “Become” American

By Julissa Arce | March 22, 2022

How Does Language During Sex Translate Across Cultures?

By Polly Barton | March 22, 2022

How the Absence of a Funeral Makes Death So Much Harder For the Living

By Olivia Clare Friedman | March 22, 2022

Cheryl Strayed releases a cut scene from <em>Wild</em> in honor of the memoir's 10th anniversary.

Cheryl Strayed releases a cut scene from Wild in honor of the memoir's 10th anniversary.

By Walker Caplan | March 21, 2022

Every Coming-of-Age Story is an Apocalypse Story

Every Coming-of-Age Story is an Apocalypse Story

Andrew DeYoung on Despair and Hope in the Edgelands of Adulthood

By Andrew DeYoung | March 21, 2022

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

The Mermaid, C'est Moi: Rewriting the Story of a Universal Myth

Monique Roffey on Creating a Feminist Version of a Male Fantasy

By Monique Roffey | March 21, 2022

The Revelation of Reading Toni Morrison in Moscow

The Revelation of Reading Toni Morrison in Moscow

Kristina Gorcheva-Newberry on the World Expanding Experience of The Bluest Eye

By Kristina Gorcheva-Newberry | March 21, 2022

What Can Superhero Stories Do For Us In 2022?

What Can Superhero Stories Do For Us In 2022?

Peter Kalu on the Origins Stories That Made Him Who He Is

By Peter Kalu | March 21, 2022

The Essential Value—and Deep Cost—of Reporting From War

The Essential Value—and Deep Cost—of Reporting From War

Dan O’Brien on His Friendship With Conflict Journalist Paul Watson

By Dan O'Brien | March 18, 2022

Telling the Story of (the Real) Greenwich Village

Telling the Story of (the Real) Greenwich Village

Michele Herman on a Disappearing Way of Life

By Michele Herman | March 18, 2022

Page 100 of 208

  • Literary Hub

    Created by Grove Atlantic and Electric Literature


    Masthead

    About

    Sign Up For Our Newsletters

    How to Pitch Lit Hub

    Advertisers: Contact Us

    Privacy Policy

    Support Lit Hub - Become A Member

    • If you buy books linked on our site, Lit Hub may earn a commission from Bookshop.org, whose fees support independent bookstores.