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Alan Lightman on Our Obligation to Record the Majesty of the Cosmos

Alan Lightman on Our Obligation to Record the Majesty of the Cosmos

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 15, 2021

Why It’s Crucial to Model Emotional Intimacy for Boys

Why It’s Crucial to Model Emotional Intimacy for Boys

Emma Brown in Conversation with Andrew Keen on Keen On

By Keen On | March 15, 2021

<em>Act Your Age, Eve Brown</em> by Talia Hibbert, Read by Ione Butler

Act Your Age, Eve Brown by Talia Hibbert, Read by Ione Butler

An Utterly Delightful Romance

By Behind the Mic | March 15, 2021

Samantha Rose Hill Reconsiders Hannah Arendt's Thoughts on Hope, a Year into COVID-19

Samantha Rose Hill Reconsiders Hannah Arendt's Thoughts on Hope, a Year into COVID-19

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 12, 2021

How Meryl Streep Helped Transform Germany in the 1970s

How Meryl Streep Helped Transform Germany in the 1970s

John Kampfner in Conversation with Andrew Keen on Keen On

By Keen On | March 12, 2021

Jenny Lawson on the Difference a Community Makes When It Comes to Depression

Jenny Lawson on the Difference a Community Makes When It Comes to Depression

In Conversation with Mitchell Kaplan on The Literary Life Podcast

By The Literary Life | March 12, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

No Name by Wilkie Collins, Read by Nicholas Boulton and Cast

By Behind the Mic | March 12, 2021

David Eagleman Gets In Your Head

By Sun Valley Writers' Conference | March 12, 2021

WTF, Texas? Lacy M. Johnson and Natalia Sylvester on Surviving the Recent Storm and Unraveling the Whitewashed Myth of Texas

By Fiction Non Fiction | March 11, 2021

Naima Coster on Following Narrative Threads Rather Than Chronology

Naima Coster on Following Narrative Threads Rather Than Chronology

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | March 11, 2021

How the Supreme Court Drives Income Inequality

How the Supreme Court Drives Income Inequality

Adam Cohen in Conversation with Andrew Keen on Keen On

By Keen On | March 11, 2021

Why We Prefer Our War Stories Simple

Why We Prefer Our War Stories Simple

From the We Have Ways of Making You Talk Podcast

By We Have Ways of Making You Talk | March 11, 2021

<em>The Thanksgiving Play</em> by Larissa FastHorse, Read by a Full Cast

The Thanksgiving Play by Larissa FastHorse, Read by a Full Cast

Laugh-Out-Loud Satire on Stage

By Behind the Mic | March 11, 2021

Merve Emre on the Mind-Body Experience of Transcribing <em>Mrs Dalloway</em>

Merve Emre on the Mind-Body Experience of Transcribing Mrs Dalloway

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 10, 2021

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

From the Thresholds Podcast, Hosted by Jordan Kisner

By Thresholds | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

Dantiel W. Moniz on Endings as Windows Rather than Exits

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | March 10, 2021

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    • Halle Berry Will Play the President of the United States in The President is MissingFebruary 4, 2026 by Olivia Rutigliano
    • Why Horror Is the Perfect Genre for Processing TraumaFebruary 4, 2026 by Christina Ferko
    • The Most Unhinged Women in Fiction (That Marisa Walz Would Still Invite to Brunch)February 4, 2026 by Marisa Walz
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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