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This Year’s NBCC Award Finalists: <em>The Shore</em> by Chris Nealon

This Year’s NBCC Award Finalists: The Shore by Chris Nealon

Jacob M. Appel on One of the Finalists for Poetry

By Jacob M. Appel | March 11, 2021

Why We Prefer Our War Stories Simple

Why We Prefer Our War Stories Simple

From the We Have Ways of Making You Talk Podcast

By We Have Ways of Making You Talk | March 11, 2021

<em>The Thanksgiving Play</em> by Larissa FastHorse, Read by a Full Cast

The Thanksgiving Play by Larissa FastHorse, Read by a Full Cast

Laugh-Out-Loud Satire on Stage

By Behind the Mic | March 11, 2021

Nineteen Ways of Looking at <br>Marilynne Robinson

Nineteen Ways of Looking at
Marilynne Robinson

Kevin Brockmeier on the Literary Prowess (and Workshop Advice) of an American Icon

By Kevin Brockmeier | March 10, 2021

When Philip Roth Switched Publishers, Drama Ensued

When Philip Roth Switched Publishers, Drama Ensued

Ira Nadel Dishes on Life in the Literary 70s

By Ira Nadel | March 10, 2021

Lauren Groff on the Subtle, Poetic Voice of Shirley Hazzard

Lauren Groff on the Subtle, Poetic Voice of Shirley Hazzard

The Transit of Venus “Returns Quietly to the Mind”

By Lauren Groff | March 10, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

How I (Barely) Survived the Abject Failure of My Much Hyped Debut Novel

By David Hollander | March 10, 2021

How Kurt Wolff Transformed Pantheon into a 20th-Century Publishing Powerhouse

By Alexander Wolff | March 10, 2021

Reckoning with Sentiment (and Writing the Unsaid) in a Novel About Motherhood

By Lynn Steger Strong | March 10, 2021

Merve Emre on the Mind-Body Experience of Transcribing <em>Mrs Dalloway</em>

Merve Emre on the Mind-Body Experience of Transcribing Mrs Dalloway

In Conversation with Paul Holdengräber on
The Quarantine Tapes

By The Quarantine Tapes | March 10, 2021

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

How Being the Opposite of an Art Monster Has Helped Lynn Steger Strong’s Work

From the Thresholds Podcast, Hosted by Jordan Kisner

By Thresholds | March 10, 2021

Patricia Engel on Writing the Shifting Identities of<br> Diaspora Life

Patricia Engel on Writing the Shifting Identities of
Diaspora Life

Jane Ciabattari Talks to the Author of Infinite Country

By Jane Ciabattari | March 10, 2021

Dantiel W. Moniz on Endings as Windows Rather than Exits

Dantiel W. Moniz on Endings as Windows Rather than Exits

In Conversation with Courtney Balestier on the WMFA Podcast

By WMFA | March 10, 2021

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

Vesna Maric on the Freedom of Working Outside Historical Fiction’s Rules

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | March 10, 2021

Is Data the Western World’s New Religion?

Is Data the Western World’s New Religion?

Tim Harford in Conversation with Andrew Keen on Keen On

By Keen On | March 10, 2021

The Terrifying Doubts—and Important Lessons—of Becoming an Older Father

The Terrifying Doubts—and Important Lessons—of Becoming an Older Father

Josh Mohr Reckons With a Later-in-Life-Changing Event

By Joshua Mohr | March 10, 2021

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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