The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next

The Annotated Nightstand: What Elamin Abdelmahmoud is Reading Now and Next

A New (at Lit Hub) Series by Diana Arterian

By Diana Arterian | May 17, 2022

Seema Reza on the Joy of Being (Completely) Alone

Seema Reza on the Joy of Being (Completely) Alone

“Uncontrollable. They meant the word as a criticism; I wore it as a badge.”

By Seema Reza | May 17, 2022

How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense

How to Make Sense of Profound Arbitrariness in a World That Is Suppose to Make Sense

Jon Mooallem in Conversation with Andrew Keen

By Keen On | May 17, 2022

Finally a History of Art That Includes Female and Non-White Artists

Finally a History of Art That Includes Female and Non-White Artists

Charlotte Mullins in Conversation with Andrew Keen

By Keen On | May 17, 2022

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

Lise Vesterlund on The No Club and How to Put a Stop to Women's Dead End Work

In Conversation with Andrew Keen

By Keen On | May 17, 2022

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

An Ode to Memory and Place: Readings by Brian Alan Ellis, Grant Faulkner, and Erin Calabria

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | May 17, 2022

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Meat Me Halfway by Brian Kateman, Read by Pete Cross

By Behind the Mic | May 17, 2022

On the Gnostic Ironies of Poets Nathaniel Mackey and Fanny Howe

By Steven Toussaint | May 16, 2022

Ada Limón on Why Being Witnessed Is Essential For an Artist

By First Draft: A Dialogue on Writing | May 16, 2022

Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

Emily Bingham on the Material Culture of White America’s Song to Itself: “My Old Kentucky Home”

“It was from the outset a blackface minstrel tune, entertainment built on slavery and the trade in human beings.”

By Emily Bingham | May 16, 2022

On the Power and Purpose of Historical Fiction

On the Power and Purpose of Historical Fiction

A Conversation Between Eva Stachniak and Christina Baker Kline

By Literary Hub | May 16, 2022

Tracing the Romance Genre’s Radical Roots, from Derided “Sex Novels” to <em>Bridgerton</em>

Tracing the Romance Genre’s Radical Roots, from Derided “Sex Novels” to Bridgerton

Hilary A. Hallett on Reclaiming “Trashy” Romances

By Hilary A. Hallett | May 16, 2022

On My Love of Libraries: Lessons From My Father

On My Love of Libraries: Lessons From My Father

Rachel M. Harper: “I was a fellow worshipper, a member of the tribe; his daughter.”

By Rachel M. Harper | May 16, 2022

The Significance of Romare Bearden’s Art in the American Canon

The Significance of Romare Bearden’s Art in the American Canon

Glenda Gilmore in Conversation with Andrew Keen

By Keen On | May 16, 2022

Shelf Talkers: What They’re Reading at South Main Book Company

Shelf Talkers: What They’re Reading at South Main Book Company

Owner Alissa Redmond Shares Her Favorites

By Literary Hub | May 16, 2022

A Mysterious Canoe, a Flip Phone, and a Lot of Unanswered Questions

A Mysterious Canoe, a Flip Phone, and a Lot of Unanswered Questions

Ben McGrath on Tells the Tale of an American Odyssey

By Ben McGrath | May 16, 2022

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