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On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

On Eliza Haywood’s Explorations of Gender Politics and Sexual Passion

From the History of Literature Podcast with Jacke Wilson

By History of Literature | November 29, 2021

<em>Where the Deer and Antelope Play</em> by Nick Offerman, Read by the Author

Where the Deer and Antelope Play by Nick Offerman, Read by the Author

Travel the Countryside with Nick Offerman

By Behind the Mic | November 29, 2021

<em>Tastemakers</em> by Mayukh Sen, Read by Tovah Ott

Tastemakers by Mayukh Sen, Read by Tovah Ott

A Delicious Revelation, Skillfully Narrated

By Behind the Mic | November 29, 2021

“Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

“Some People Just Treat Africa Like a Blank Canvas.” Chibundu Onuzo on Making Room for the Real in Fiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 25, 2021

How to Reframe the Strangeness of <em>The Plague</em> as Sci-Fi Noir

How to Reframe the Strangeness of The Plague as Sci-Fi Noir

Sunra Thompson on Finding Inspiration in "Low" Genres to Reimagine Albert Camus

By Sunra Thompson | November 24, 2021

Aimee Bender on Creating Structure to Ward Off Writing Dread

Aimee Bender on Creating Structure to Ward Off Writing Dread

In Conversation with Jordan Kisner on the Thresholds Podcast

By Thresholds | November 24, 2021

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

Mina Seçkin on Ferrante, Nabokov, and The Phantom Tollbooth

By Book Marks | November 24, 2021

We Shall Overcome: John Lewis on the Symbolism of the Edmund Pettus Bridge and the Urgency of the Civil Rights Movement

By John Lewis | November 24, 2021

Behind the Scenes of David Fincher’s Fight Club

By Adam Nayman | November 24, 2021

Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


Maggie Nelson and Tala Madani on Fear in Artmaking and How Magic Can Save Us All 


This Week from FUSE: A BOMB Podcast

By FUSE: A BOMB Podcast | November 24, 2021

What <em>Lovecraft Country</em> Gave to Black Audiences

What Lovecraft Country Gave to Black Audiences

The Cast and Creators Speak to the Making—and Unmaking—of the HBO Series

By James Andrew Miller | November 24, 2021

If You Want to Write a Novel, Start with a Plan

If You Want to Write a Novel, Start with a Plan

Stephanie Gangi on Writing Her Debut in Her Late 50s

By Stephanie Gangi | November 24, 2021

Richard Rhodes and E.O. WIilson on Ants and Life on Earth

Richard Rhodes and E.O. WIilson on Ants and Life on Earth

This Week on the Radio Open Source Podcast

By Open Source | November 24, 2021

Sarah Hall on Creating Female Characters with Agency

Sarah Hall on Creating Female Characters with Agency

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | November 24, 2021

How Black Spiritual Songs Gave Rise to New Musical Genres

How Black Spiritual Songs Gave Rise to New Musical Genres

Joseph Horowitz on Melodies of "Pathos and Exaltation"

By Joseph Horowitz | November 24, 2021

Joanna FitzPatrick on Blending History and Fiction in Her New Book

Joanna FitzPatrick on Blending History and Fiction in Her New Book

In Conversation with C.P. Lesley on the New Books Network

By New Books Network | November 24, 2021

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Page 519 of 1220
    • Thinking Outside the Cop: Using Game Wardens in Crime FictionJanuary 13, 2026 by Sarah Crouch
    • Make Our Villains Gayer, Please: Reclaiming the Trope of Queer-Coded AntagonistsJanuary 13, 2026 by Isha Raya
    • Ross Montgomery on Researching Profanity, Halley's Comet, and Writing Historical FictionJanuary 13, 2026 by Alex Dueben
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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