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  • Craft and Criticism
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Anna Holmes on the Radical Life of Margaret Wise Brown

Anna Holmes on the Radical Life of Margaret Wise Brown

From the History of Literature Podcast with Jacke Wilson

By History of Literature | February 22, 2022

David Ulin on Joan Didion, California, Counterculture, and the Essay Form

David Ulin on Joan Didion, California, Counterculture, and the Essay Form

This Week from the Big Table Podcast with JC Gabel

By Big Table | February 22, 2022

Patrick Strickland on How the Citizens of a Small Arizona Border Town Stood Up to Anti-Immigrant Militias and Vigilantes

Patrick Strickland on How the Citizens of a Small Arizona Border Town Stood Up to Anti-Immigrant Militias and Vigilantes

In Conversation with Andrew Keen on Keen On

By Keen On | February 22, 2022

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

The Author of The Swimmers Talks to Jane Ciabattari

By Jane Ciabattari | February 22, 2022

Observing the Beautiful, Secret Lives of Sandhoppers

Observing the Beautiful, Secret Lives of Sandhoppers

Adam Nicolson on an Overlooked Beach-Dweller

By Adam Nicolson | February 22, 2022

Revisiting Thich Nhat Hanh’s Call to Fall in Love with the Earth

Revisiting Thich Nhat Hanh’s Call to Fall in Love with the Earth

This Week from the Emergence Magazine Podcast

By Emergence Magazine | February 22, 2022

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Getting By in Prison With Nothing But Books

By Daniel Genis | February 22, 2022

Charlotte Wood on Exploring the Longevity of Female Friendship

By First Draft: A Dialogue on Writing | February 22, 2022

Erica Katz on the High-Stakes World of Art Forgery

By Keen On | February 22, 2022

Jamie Susskind on How Digital Technology Will Transform Politics and Society

Jamie Susskind on How Digital Technology Will Transform Politics and Society

In Conversation with Andrew Keen on Keen On

By Keen On | February 22, 2022

Thomas Insel on What a Better Path to Mental Health Might Look Like

Thomas Insel on What a Better Path to Mental Health Might Look Like

In Conversation with Andrew Keen on Keen On

By Keen On | February 22, 2022

<em>The Girl Who Fell Beneath the Sea</em> by Axie Oh, Read by Rosa Escoda

The Girl Who Fell Beneath the Sea by Axie Oh, Read by Rosa Escoda

A Captivating Retelling of a Korean Folktale

By Behind the Mic | February 22, 2022

<em>Weather Girl</em> by Rachel Lynn Solomon, Read by Sarah Mollo-Christensen

Weather Girl by Rachel Lynn Solomon, Read by Sarah Mollo-Christensen

Stormy Weather Ahead

By Behind the Mic | February 22, 2022

How a Swedish Whodunnit Speaks to Pandemic Life in Delhi (and the World)

How a Swedish Whodunnit Speaks to Pandemic Life in Delhi (and the World)

Anandi Mishra on Anxious People in Times of Crisis

By Anandi Mishra | February 18, 2022

What Banning <em>Maus</em> Means for the Generation of Artists It Inspired

What Banning Maus Means for the Generation of Artists It Inspired

Amy Kurzweil Considers the Benefits of Chorus Over Canon

By Amy Kurzweil | February 18, 2022

EXCLUSIVE: Tracy K. Smith and Others Discuss Robert Frost's

EXCLUSIVE: Tracy K. Smith and Others Discuss Robert Frost's "Mending Wall"

From Season Three of Poetry in America

By The Virtual Book Channel | February 18, 2022

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    • The Backlist: Reading John le Carré's 'The Little Drummer Girl' with I.S. BerryOctober 24, 2025 by Polly Stewart
    • Guillermo del Toro's New Frankenstein Adaptation is Life-GivingOctober 24, 2025 by Olivia Rutigliano
    • Bestsellers to Blockbusters: Stephen King Reflects on the Adaptations of His WorkOctober 23, 2025 by Stephen King
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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