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Lulu Miller on Heartbreak and Getting a Little Emo on the Page

Lulu Miller on Heartbreak and Getting a Little Emo on the Page

In Conversation with Jordan Kisner on Thresholds

By Thresholds | April 13, 2022

Rewatching Zelensky’s <em>Servant of the People</em> as Russia Wages War on Ukraine

Rewatching Zelensky’s Servant of the People as Russia Wages War on Ukraine

Sonya Bilocerkowycz on the Potency of Narrative in Ukrainian Political Life

By Sonya Bilocerkowycz | April 12, 2022

Mary Laura Philpott on Facing the Unexpected and Absurd with Humor

Mary Laura Philpott on Facing the Unexpected and Absurd with Humor

The Author of Bomb Shelter In Conversation with Maggie Smith

By Maggie Smith | April 12, 2022

The Annotated Nightstand: Melissa Chadburn on the Books She’s Reading Now and Next

The Annotated Nightstand: Melissa Chadburn on the Books She’s Reading Now and Next

The First in a New (at Lit Hub) Series by Diana Arterian

By Diana Arterian | April 12, 2022

Why the Color Red Carries so Much Weight in Film and Literature

Why the Color Red Carries so Much Weight in Film and Literature

James Fox: “Red is the body made color, and at times color made body.”

By James Fox | April 12, 2022

Nature Writing is Survival Writing: On Rethinking a Genre

Nature Writing is Survival Writing: On Rethinking a Genre

Michelle Nijhuis Thinks It’s Time for Some New Perspectives

By Michelle Nijhuis | April 12, 2022

Best Reviewed
Books of the Week

  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • The Hitch
  • Fly, Wild Swans: My Mother, Myself and China

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

By Teddy Wayne | April 12, 2022

The High Stakes of Textbooks: On the Necessity of Complex, Inclusive History Lessons

By Elizabeth Alexander | April 12, 2022

How the Toxic Waters of Niagara Falls Poisoned a Community

By Keith O'Brien | April 12, 2022

“The Page is So Flat, and ASL is So Not.” Sara Nović on the Limitations of Prose

“The Page is So Flat, and ASL is So Not.” Sara Nović on the Limitations of Prose

In Conversation with Christopher Hermelin on So Many Damn Books

By So Many Damn Books | April 12, 2022

How Indigenous Societies Fought to Preserve Their Blended Gender Identities in the Face of Colonialism

How Indigenous Societies Fought to Preserve Their Blended Gender Identities in the Face of Colonialism

Gregory D. Smithers on Anticolonialism and Resistance to Binaries

By Gregory D. Smithers | April 12, 2022

Time as Landscape: Listen to Readings by Sihle Ntuli, Matthew Mastricova, and Jaya Wagle

Time as Landscape: Listen to Readings by Sihle Ntuli, Matthew Mastricova, and Jaya Wagle

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | April 12, 2022

How the Hebrew Bible Poses Fundamental Questions About Language

How the Hebrew Bible Poses Fundamental Questions About Language

From Season 3 of The Cosmic Library Podcast

By The Cosmic Library | April 12, 2022

Can AI Can Finally Solve the Problem of Diversity?

Can AI Can Finally Solve the Problem of Diversity?

Beena Ammanath in Conversation with Andrew Keen

By Keen On | April 12, 2022

<em>The Cartographers</em> by Peng Shepherd, Read by a Full Cast

The Cartographers by Peng Shepherd, Read by a Full Cast

A Cartographic Mystery with a Superb Cast

By Behind the Mic | April 12, 2022

Song for Almeyda and Song for Anninho

Song for Almeyda and Song for Anninho

A Poem by Gayl Jones

By Gayl Jones | April 12, 2022

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Page 453 of 1222
    • MWA Announces the 2026 Edgar Award NominationsJanuary 20, 2026 by CrimeReads
    • 24 New and Upcoming Historical Novels To Look Forward To In 2026January 20, 2026 by Molly Odintz
    • Michael Koryta and Malcolm Kempt on Gothic Fiction and the ArcticJanuary 20, 2026 by CrimeReads
    • This Is Where the Serpent Lives
    • The Best Reviewed Books of the Week
    • "Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"
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