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Emily Hund Wonders If There’s a Spiritual Void at the Core of the Influencer Industry

Emily Hund Wonders If There’s a Spiritual Void at the Core of the Influencer Industry

In Conversation with Andrew Keen on Keen On

By Keen On | February 13, 2023

Kathryn Ma on Portraying Asian-Americans Positively and the “Messiness That is Life in Any Community”

Kathryn Ma on Portraying Asian-Americans Positively and the “Messiness That is Life in Any Community”

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 13, 2023

How Do We Re-Wild Our Minds?

How Do We Re-Wild Our Minds?

This Week from the Emergence Magazine Podcast

By Emergence Magazine | February 13, 2023

Damian Dibben on the Importance of Color in Art, and Why We Should All Visit Venice at Least Once

Damian Dibben on the Importance of Color in Art, and Why We Should All Visit Venice at Least Once

In Conversation with Andrew Keen on Keen On

By Keen On | February 10, 2023

In <em>Knock at the Cabin</em>, M. Night Shyamalan’s Twist is the Lack of a Twist

In Knock at the Cabin, M. Night Shyamalan’s Twist is the Lack of a Twist

Jonathan Russell Clark on the Adaptation of Paul Tremblay’s Novel

By Jonathan Russell Clark | February 10, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring new titles by Mariana Enriquez, Thomas Mallon, Mark Whitaker, and More

By Book Marks | February 10, 2023

Best Reviewed
Books of the Week

“I’m Concerned There is No Future.” On (Not) Bringing Children Into a World in Crisis

By Jessica Gaitán Johannesson | February 10, 2023

Helen Sword on the Physicality of Language

By Helen Sword | February 10, 2023

Theorizing the Basis of Our World: A Reading List on Quantum Reality

By Heinrich Päs | February 10, 2023

The Strangest Things Are the Truest: Laline Paull on Channeling a Dolphin’s Narrative Voice

The Strangest Things Are the Truest: Laline Paull on Channeling a Dolphin’s Narrative Voice

“We hope and we fear that animals are more like us than we imagine.”

By Laline Paull | February 10, 2023

Fintan O’Toole on Contemporary Ireland as a Model for an Open 21st-Century Society

Fintan O’Toole on Contemporary Ireland as a Model for an Open 21st-Century Society

In Conversation with Andrew Keen on Keen On

By Keen On | February 10, 2023

The Annotated Nightstand: What José Olivarez is Reading Now and Next

The Annotated Nightstand: What José Olivarez is Reading Now and Next

Featuring Paul Beatty, N.K. Jemisin, Yanyi and more.

By Diana Arterian | February 10, 2023

“Homer, Louisiana,” a Poem by Mahogany L. Browne

“Homer, Louisiana,” a Poem by Mahogany L. Browne

From the Collection Chrome Valley

By Mahogany L. Browne | February 10, 2023

Bruce Schneier on How the Powerful Bend Society’s Rules and How to Bend Them Back

Bruce Schneier on How the Powerful Bend Society’s Rules and How to Bend Them Back

In Conversation with Andrew Keen on Keen On

By Keen On | February 10, 2023

How Does It Feel Different to Develop a Voice For a Story Versus a Novel?

How Does It Feel Different to Develop a Voice For a Story Versus a Novel?

Patricia Engel on The Literary Life with Mitchell Kaplan

By The Literary Life | February 10, 2023

Ayọ̀bámi Adébáyọ̀ on Capturing What it Means to Live in Contemporary Nigeria

Ayọ̀bámi Adébáyọ̀ on Capturing What it Means to Live in Contemporary Nigeria

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | February 9, 2023

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    • The Best International Crime Fiction of July 2026July 30, 2026 by Molly Odintz
    • H.Y. Hanna on Craving Slow, Atmospheric Suspense in the Era of Short AttentionJuly 30, 2026 by H.Y. Hanna
    • 6 Thrillers Set in Glamorous and Wealthy NeighborhoodsJuly 30, 2026 by Catherine Steadman
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